The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.Gomme, Alice Bertha
History
The Traditional Games of England, Scotland, and Ireland (Vol 1 of 2): With Tunes, Singing-Rhymes and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
And Shakespeare alludes to the custom in the lines—“As fit as ten
groats for the hand of an attorney, as Tib’s rush for Tom’s
forefinger.”—_All’s Well that Ends Well._ The rejoicing and bestowal of
the blessing by the ring of friends give an almost complete picture of
early Scotch marriage custom. A version of this game, which appeared in
the _Weekly Scotsman_ of October 16, 1893, by Edgar L. Wakeman, is
interesting, as it confirms the above idea, and adds one or two details
which may be important, _i.e._, the “choose your maidens one by one,”
and “sweep the house till the bride comes home.” This game is called the
“Gala Ship,” and the girls, forming a ring, march round singing—
Three times round goes the gala, gala ship,
And three times round goes she;
Three times round goes the gala, gala ship,
And sinks to the bottom of the sea.
They repeat this thrice, courtesying low. The first to courtesy is
placed in the centre of the circle, when the others sing:—
Choose your maidens one by one,
One by one, one by one;
Choose your maidens one by one—
And down goes (all courtesy)
Merrima Tansa!
She chooses her maidens. They take her to a distance, when she is
secretly told the name of her lover. The remainder of the girls imitate
sweeping, and sing several stanzas to the effect that they will “sweep
the house till the bride comes home,” when the bride is now placed
within the circle, and from a score to a hundred stanzas, with marching
and various imitations of what the lucky bride accomplishes or
undergoes, are sung. Each one closes with “Down goes Merrima Tansa” and
the head-ducking; and this wonderful music-drama of childhood is not
concluded until the christening of the bride’s first-born, with—
Next Sunday morn to church she must gae,
A babe on her knee, the best of ’a—
And down goes Merrima Tansa!
Jamieson gives the game as a ring within which one goes round with a
handkerchief, with which a stroke is given in succession to every one in
the ring; the person who strikes, or the taker, still repeating this
rhyme:—
Here I gae round the jingie ring,
The jingie ring, the jingie ring,
Here I gae round the jingie ring,
And through my merry-ma-tanzie.
Then the handkerchief is thrown at one in the ring, who is obliged to
take it up and go through the same process. He also mentions another
account of the game which had been sent him, which describes the game as
played in a similar manner to the versions given by Chambers.
Stewart, in his _Ben Nevis and Glencoe_, p. 361, records the following
rhyme:—
Here we go with merry shout,
Up and down and round about,
And dance a merry-ma-tandy,
but he does not describe the game in detail.
Milking Pails
[Music]
—Monton, Lancashire (Miss Dendy); London (A. B. Gomme).
[Music]
—Earls Heaton, Yorks. (H. Hardy).
Public-domain text, read in full here on John Shaqi.
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