Cotgrave’s _Dictionarie_, 1632, says: “_Merelles_, le jeu de merelles, the boyish game called merrils, or fiue-pennie morris. Played here most commonly with stones, but in France with pawns or men made of purpose, and termed merelles.” Strutt (_Sports_, p. 317) says: “This was why the game received this name. It was formerly called ‘Nine Men’s Morris’ and ‘Five-penny Morris,’ and is a game of some antiquity. It was certainly much used by the shepherds formerly, and continues to be used by them and other rustics to the present hour.” An illustration of the form of the merelle table and the lines upon it, as it appeared in the fourteenth century, is given by him, and he observes that the lines have not been varied. The black spots at every angle and intersection of the lines are the places for the men to be laid upon. The men are different in form and colour for distinction’s sake, and from the moving these men backwards and forwards, as though they were dancing a morris, I suppose the pastime received the name of “Nine Men’s Morris,” but why it should have been called “Five-penny Morris” I do not know. The manner of playing is briefly thus:—Two persons, having each of them nine pieces or men, lay them down alternately, one by one, upon the spots, and the business of either party is to prevent his antagonist from placing three of his pieces so as to form a row of three without the intervention of an opponent piece. If a row be formed, he that made it is at liberty to take up one of his competitor’s pieces from any part he thinks most to his own advantage, excepting he has made a row, which must not be touched, if he have another piece upon the board that is not a component part of that row. When all the pieces are laid down they are played backwards and forwards in any direction that the lines run, but can only move from one spot to another at one time. He that takes off all his antagonist’s pieces is the conqueror. The rustics, when they have not materials at hand to make a table, cut the lines in the same form upon the ground and make a small hole for every dot. They then collect stones of different forms or colours for the pieces, and play the game by depositing them in the holes in the same manner that they are set over the dots on the table. Hence Shakespeare, describing the effects of a wet and stormy season, says— “The folds stand empty in the drowned field, And crows are fatted with the murrain flock— The Nine Men’s Morris is filled up with mud.” —_Midsummer Nights Dream_, act ii. sc. 2.