The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc. — John Shaqi
The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.Gomme, Alice Bertha
General
The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
The first three are the more constant words, but it is curious that
Norfolk, not a hop county, should have adopted that grain into the game.
Hops are grown there on rare occasions, and it is probable that the game
may have been introduced from a hop county.
In _Northants Notes and Queries_, i. 163-164, Mr. R. S. Baker gives a
most interesting account of the game (No. iii.) as follows:—“Having been
recently invited to join the Annual Christmas Entertainment of the
Raunds Church Choir, I noticed that a very favourite pastime of the
evening was one which I shall call ‘Choosing Partners.’ The game is
played thus: The young men and maidens join hands indiscriminately, and
form a ring; within the ring stand a lad and a lass; then they all step
round the way the sun goes, to a plain tune. During the singing of the
two last lines [of the first part] they all disjoin hands, stop and
stamp their feet and clap their hands and turn right round . . . then
join hands [while singing the second verse]. The two in the middle at
[‘Open the ring’] choose each of them a partner of the opposite sex,
which they do by pointing to the one chosen; then they continue round,
to the words [sang in next verse], the two pairs of partners crossing
hands, first right and then left, and revolving opposite ways
alternately. The march round is temporarily suspended for choosing
partners. The partners salute [at ‘Now you’re married’], or, rather,
each lad kisses his chosen lass; the first two partners go out, the game
continues as before, and every one in the ring has chosen and been
chosen, and every lad has saluted every lass. The antiquity of the
pastime is evidenced by its not mentioning wheat; wheat was in remote
times an exceptional crop—the village people lived on oatmeal and barley
bread. It also points, possibly, to a period when most of the land lay
in grass. Portions of the open fields were cultivated, and after a few
years of merciless cropping were laid down again to recuperate. ‘Helping
to chop the wood’ recalls the time when coal was not known as fuel. I am
indebted for the correct words of the above to a Raunds maiden, Miss B.
Finding, a native of the village, who kindly wrote them down for me.”
Mr. Baker does not say how Miss Finding got the peculiar spelling of
this version. It would be interesting to know whether this form of
spelling was used as indicative of the pronunciation of the children, or
of the supposed antiquity of the game. The Rev. W. D. Sweeting, also
writes at the same reference, “The same game is played at the school
feast at Maxey; but the words, as I have taken them down, vary from
those given above. We have no mention of any crop except barley, which
is largely grown in the district; and the refrain, repeated after the
second and sixth lines, is ‘waiting for the harvest.’ A lady suggested
to me that the two first lines of the conclusion are addressed to the
bride of the game, and the two last, which in our version run, ‘You must
Public-domain text, read in full here on John Shaqi.
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