East and West -- Fiction; Egypt -- Social life and customs -- 19th century -- Fiction; Hostages -- Fiction
“They may cut our throats, or they may take us as slaves to Khartoum.
I don’t know that there is much to choose. There’s one of us out of his
troubles anyhow.”
The soldier next them had sat down abruptly, and leaned forward over his
knees. His movement and attitude were so natural that it was hard to
realise that he had been shot through the head. He neither stirred nor
groaned. His comrades bent over him for a moment, and then, shrugging
their shoulders, they turned their dark faces to the Arabs once more.
Belmont picked up the dead man’s Martini and his ammunition-pouch.
“Only three more rounds, Cochrane,” said he, with the little brass
cylinders upon the palm of his hand. “We’ve let them shoot too soon,
and too often. We should have waited for the rush.”
“You’re a famous shot, Belmont,” cried the Colonel. “I’ve heard of you
as one of the cracks. Don’t you think you could pick off their leader?”
“Which is he?”
“As far as I can make out, it is that one on the white camel on their
right front. I mean the fellow who is peering at us from under his two
hands.”
Belmont thrust in his cartridge and altered the sights. “It’s a
shocking bad light for judging distance,” said he. “This is where the
low point-blank trajectory of the Lee-Metford comes in useful. Well,
we’ll try him at five hundred.” He fired, but there was no change in
the white camel or the peering rider.
“Did you see any sand fly?”
“No, I saw nothing.”
“I fancy I took my sight a trifle too full.”
“Try him again.”
Man and rifle and rock were equally steady, but again the camel and
chief remained un-harmed. The third shot must have been nearer, for he
moved a few paces to the right, as if he were becoming restless.
Belmont threw the empty rifle down, with an exclamation of disgust.
“It’s this confounded light,” he cried, and his cheeks flushed with
annoyance. “Think of my wasting three cartridges in that fashion!
If I had him at Bisley I’d shoot the turban off him, but this vibrating
glare means refraction. What’s the matter with the Frenchman?”
Public-domain text, read in full here on John Shaqi.
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