The Tragic Comedians: A Study in a Well-known Story — CompleteMeredith, George
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The Tragic Comedians: A Study in a Well-known Story — Complete
Meredith, George
English fiction -- 19th century; Lassalle, Ferdinand, 1825-1864 -- Fiction
The young flower of her sex burned to speak, to deliver an opinion. She
was unaccustomed to yield a fascinated ear. She was accustomed rather
to dictate and be the victorious performer, and though now she was not
anxious to occupy the pulpit--being too strictly bred to wish for a post
publicly in any of the rostra--and meant still less to dispossess the
present speaker of the place he filled so well, she yearned to join him:
and as that could not be done by a stranger approving, she panted to
dissent. A young lady cannot so well say to an unknown gentleman: ‘You
have spoken truly, sir,’ as, ‘That is false!’ for to speak in the former
case would be gratuitous, and in the latter she is excused by the moral
warmth provoking her. Further, dissent rings out finely, and approval
is a feeble murmur--a poor introduction of oneself. Her moral warmth
was ready and waiting for the instigating subject, but of course she was
unconscious of the goad within. Excitement wafted her out of herself, as
we say, or out of the conventional vessel into the waves of her troubled
nature. He had not yet given her an opportunity for dissenting; she was
compelled to agree, dragged at his chariot-wheels in headlong agreement.
His theme was Action; the political advantages of Action; and he
illustrated his view with historical examples, to the credit of the
French, the temporary discredit of the German and English races, who
tend to compromise instead. Of the English he spoke as of a power
extinct, a people ‘gone to fat,’ who have gained their end in a hoard of
gold and shut the door upon bandit ideas. Action means life to the soul
as to the body. Compromise is virtual death: it is the pact between
cowardice and comfort under the title of expediency. So do we gather
dead matter about us. So are we gradually self-stifled, corrupt. The
war with evil in every form must be incessant; we cannot have peace. Let
then our joy be in war: in uncompromising Action, which need not be the
less a sagacious conduct of the war.... Action energizes men’s brains,
generates grander capacities, provokes greatness of soul between
enemies, and is the guarantee of positive conquest for the benefit of
our species. To doubt that, is to doubt of good being to be had for the
seeking. He drew pictures of the healthy Rome when turbulent, the doomed
quiescent. Rome struggling grasped the world. Rome stagnant invited
Goth and Vandal. So forth: alliterative antitheses of the accustomed
pamphleteer. At last her chance arrived.
His opposition sketch of Inaction was refreshed by an analysis of the
character of Hamlet. Then he reverted to Hamlet’s promising youth. How
brilliantly endowed was the Prince of Denmark in the beginning!
‘Mad from the first!’ cried Clotilde.
She produced an effect not unlike that of a sudden crack of thunder. The
three made chorus in a noise of boots on the floor.
Public-domain text, read in full here on John Shaqi.
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