The Tragic Comedians: A Study in a Well-known Story — CompleteMeredith, George
General
The Tragic Comedians: A Study in a Well-known Story — Complete
Meredith, George
English fiction -- 19th century; Lassalle, Ferdinand, 1825-1864 -- Fiction
on a visit to demand her in marriage. There was no chance of her being
allowed to enter houses where this ‘rageing demagogue and popular
buffoon’ was a guest; his name was banished from her hearing, so she
was compelled to have recourse to Marko. Unable to take such services
without rewarding him, she fondled: it pained her to see him suffer.
Those who toss crumbs to their domestic favourites will now and then
be moved to toss meat, which is not so good for them, but the dumb
mendicant’s delight in it is winning, and a little cannot hurt. Besides,
if any one had a claim on her it was the prince; and as he was always
adoring, never importunate, he restored her to the pedestal she had been
really rudely shaken from by that other who had caught her up suddenly
into the air, and dropped her! A hand abandoned to her slave rewarded
him immeasurably. A heightening of the reward almost took his life.
In the peacefulness of dealing with a submissive love that made her
queenly, the royal, which plucked her from throne to footstool, seemed
predatory and insolent. Thus, after that scene of ‘first love,’ in which
she had been actress, she became almost (with an inward thrill or two
for the recovering of him) reconciled to the not seeing of the noble
actor; for nothing could erase the scene--it was historic; and Alvan
would always be thought of as a delicious electricity. She and Marko
were together on the summer excursion of her people, and quite sisterly,
she could say, in her delicate scorn of his advantages and her emotions.
True gentlemen are imperfectly valued when they are under the shadow
of giants; but still Clotilde’s experience of a giant’s manners was
favourable to the liberty she could enjoy in a sisterly intimacy of this
kind, rather warmer than her word for it would imply. She owned that she
could better live the poetic life--that is, trifle with fire and reflect
on its charms in the society of Marko. He was very young, he was little
more than an adolescent, and safely timid; a turn of her fingers would
string or slacken him. One could play on him securely, thinking of a
distant day--and some shipwreck of herself for an interlude--when he
might be made happy.
Public-domain text, read in full here on John Shaqi.
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