The Tragic Comedians: A Study in a Well-known Story — CompleteMeredith, George
General
The Tragic Comedians: A Study in a Well-known Story — Complete
Meredith, George
English fiction -- 19th century; Lassalle, Ferdinand, 1825-1864 -- Fiction
‘He?’ replied Clotilde, sincerely feeling Marko to be of as fractional
a weight as her tone declared him. ‘Oh, he is my mute, harmless, he does
not count among the dragons.’
But there had been, notwithstanding the high presumption of his remark,
a manful thickness of voice in Alvan’s ‘That is he!’ The rivals had
fastened a look on one another, wary, strong, and summary as the
wrestlers’ first grapple. In fire of gaze, Marko was not outdone.
‘He does not count? With those eyes of his?’ Alvan exclaimed. He knew
something of the sex, and spied from that point of knowledge into the
character of Clotilde; not too venturesomely, with the assistance of
rumour, hazarding the suspicion which he put forth as a certainty, and
made sharply bitter to himself in proportion to the belief in it
that his vehemence engendered: ‘I know all--without exception;
all, everything; all! I repeat. But what of it, if I win you? as I
shall--only aid me a little.’
She slightly surprised the man by not striving to attenuate the import
of the big and surcharged All: but her silence bore witness to his
penetrative knowledge. Dozens of amorous gentlemen, lovers, of
excellent substance, have before now prepared this peculiar dose for
themselves--the dose of the lady silent under a sort of pardoning grand
accusation; and they have had to drink it, and they have blinked
over the tonic draught with such power of taking a bracing as their
constitutions could summon. At no moment of their quaint mutual history
are the sexes to be seen standing more acutely divided. Well may
the lady be silent; her little sins are magnified to herself to the
proportion of the greatness of heart forgiving her; and that, with
his mysterious penetration and a throb of her conscience, holds her
tongue-tied. She does not imagine the effect of her silence upon the
magnanimous wretch. Some of these lovers, it has to be stated in sadness
for the good name of man, have not preserved an attitude that said so
nobly, ‘Child, thou art human--thou art woman!’ They have undone it and
gone to pieces with an injured lover’s babble of persecuting inquiries
for confessions. Some, on the contrary, retaining the attitude, have
been unable to digest the tonic; they did not prepare their systems as
they did their dose, possibly thinking the latter a supererogatory heavy
thump on a trifle, the which was performed by them artfully for a means
of swallowing and getting that obnoxious trifle well down. These are
ever after love’s dyspeptics. Very few indeed continue at heart in
harmony with their opening note to the silent fair, because in truth the
general anticipation is of her proclaiming, if not angelical innocence,
a softly reddened or blush-rose of it, where the little guiltiness lies
pathetic on its bed of white.
Alvan’s robustness of temper, as a conqueror pleased with his capture,
could inspirit him to feel as he said it:
Public-domain text, read in full here on John Shaqi.
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