The Tragic Comedians: A Study in a Well-known Story — Volume 1 — John Shaqi
The Tragic Comedians: A Study in a Well-known Story — Volume 1Meredith, George
General
The Tragic Comedians: A Study in a Well-known Story — Volume 1
Meredith, George
English fiction -- 19th century; Lassalle, Ferdinand, 1825-1864 -- Fiction
'I look into your eyes and perceive that one may listen to you and speak
to you. Heart to heart, then! Yes, a sea to lull you, a sea to win you
--temperately, let us hope; by storm, if need be. My prize is found!
The good friend who did the part of Iris for us came bounding to me: "I
have discovered the wife for you, Alvan." I had previously heard of her
from another as having touched the islet of Capri. "But," said Kollin,
"she is a gold-crested serpent--slippery!" Is she? That only tells me
of a little more to be mastered. I feel my future now. Hitherto it has
been a land without sunlight. Do you know how the look of sunlight on a
land calms one? It signifies to the eye possession and repose, the end
gained--not the end to labour, just heaven! but peace to the heart's
craving, which is the renewal of strength for work, the fresh dip in the
waters of life. Conjure up your vision of Italy. Remember the meaning
of Italian light and colour: the clearness, the luminous fulness, the
thoughtful shadows. Mountain and wooded headland are solid, deep to the
eye, spirit-speaking to the mind. They throb. You carve shapes of Gods
out of that sky, the sea, those peaks. They live with you. How they
satiate the vacant soul by influx, and draw forth the troubled from its
prickly nest!--Well, and you are my sunlighted land. And you will have
to be fought for. And I see not the less repose in the prospect! Part
of you may be shifty-sand. The sands are famous for their golden
shining--as you shine. Well, then, we must make the quicksands concrete.
I have a perfect faith in you, and in the winning of you. Clearly you
will have to be fought for. I should imagine it a tough battle to come.
But as I doubt neither you nor myself, I see beyond it.--We use phrases
in common, and aphorisms, it appears. Why? but that our minds act in
unison. What if I were to make a comparison of you with Paris?--the city
of Paris, Lutetia.'
'Could you make it good?' said Clotilde.
He laughed and postponed it for a series of skimming discussions, like
swallow-flights from the nest beneath the eaves to the surface of the
stream, perpetually reverting to her, and provoking spirited replies,
leading her to fly with him in expectation of a crowning compliment that
must be singular and was evidently gathering confirmation in his mind
from the touchings and probings of her character on these flights.
Public-domain text, read in full here on John Shaqi.
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