The Tragic Comedians: A Study in a Well-known Story — Volume 1 — John Shaqi
The Tragic Comedians: A Study in a Well-known Story — Volume 1Meredith, George
General
The Tragic Comedians: A Study in a Well-known Story — Volume 1
Meredith, George
English fiction -- 19th century; Lassalle, Ferdinand, 1825-1864 -- Fiction
Clotilde's younger maiden hours and their love episodes are wrapped in
the mists Diana considerately drops over her adventurous favourites. She
was not under a French mother's rigid supervision. In France the mother
resolves that her daughter shall be guarded from the risks of that
unequal rencounter between foolish innocence and the predatory. Vigilant
foresight is not so much practised where the world is less accurately
comprehended. Young people of Clotilde's upper world everywhere, and the
young women of it especially, are troubled by an idea drawn from what
they inhale and guess at in the spirituous life surrounding them, that
the servants of the devil are the valiant host, this world's elect,
getting and deserving to get the best it can give in return for a little
dashing audacity, a flavour of the Fronde in their conduct; they sin, but
they have the world; and then they repent perhaps, but they have had the
world. The world is the golden apple. Thirst for it is common during
youth: and one would think the French mother worthy of the crown of
wisdom if she were not so scrupulously provident in excluding love from
the calculations on behalf of her girl.
Say (for Diana's mists are impenetrable and freeze curiosity) that
Clotilde was walking with Count Constantine, the brilliant Tartar trained
in Paris, when first she met Prince Marko Romaris, at the Hungarian Baths
on the borders of the Styrian highlands. The scene at all events is
pretty, and weaves a fable out of a variety of floating threads. A
stranger to the Baths, dressed in white and scarlet, sprang from his
carriage into a group of musical gypsies round an inn at the arch of the
chestnut avenue, after pulling up to listen to them for a while. The
music had seized him. He snatched bow and fiddle from one of the ring,
and with a few strokes kindled their faces. Then seating himself, on a
bench he laid the fiddle on his knee, and pinched the strings and flung
up his voice, not ceasing to roll out the spontaneous notes when Clotilde
and her cavalier, and other couples of the party, came nigh; for he was
on the tide of the song, warm in it, and loved it too well to suffer
intruders to break the flow, or to think of them. They were close by
when the last of it rattled (it was a popular song of a fiery tribe) to
its finish: He rose and saluted Clotilde, smiled and jumped back to his
carriage, sending a cry of adieu to the swarthy, lank-locked, leather-
hued circle, of which his dark oriental eyes and skin of burnished walnut
made him look an offshoot, but one of the celestial branch.
Public-domain text, read in full here on John Shaqi.
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