The Tragic Comedians: A Study in a Well-known Story — Volume 1Meredith, George
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The Tragic Comedians: A Study in a Well-known Story — Volume 1
Meredith, George
English fiction -- 19th century; Lassalle, Ferdinand, 1825-1864 -- Fiction
Now when a young lady of lively intelligence and taking charm has brought
her mind to believe that she possesses force of character, she persuades
the rest of the world easily to agree with her, and so long as her
pretensions are not directly opposed to their habits of thought, her
parents will be the loudest in proclaiming it, fortifying so the maid's
presumption, which is ready to take root in any shadow of subserviency.
Her father was a gouty general of infantry in the diplomatic service,
disinclined to unnecessary disputes, out of consideration for his
vehement irritability when roused. Her mother had been one of the
beauties of her set, and was preserving an attenuated reign, through the
conversational arts, to save herself from fading into the wall. Her
brothers and sisters were not of an age to contest her lead. The temper
of the period was revolutionary in society by reflection of the state of
politics, and juniors were sturdy democrats, letting their elders know
that they had come to their inheritance, while the elders, confused by
the impudent topsy-turvy, put on the gaping mask (not unfamiliar to
history) of the disestablished conservative, whose astounded state
paralyzes his wrath.
Clotilde maintained a decent measure in the liberty she claimed, and it
was exercised in wildness of dialogue rather than in capricious
behaviour. If her flowing tongue was imperfectly controlled, it was
because she discoursed by preference to men upon our various affairs and
tangles, and they encouraged her with the tickled wonder which bids the
bold advance yet farther into bogland. Becoming the renowned original of
her society, wherever it might be, in Germany, Italy, Southern France,
she grew chillily sensible of the solitude decreed for their heritage to
our loftiest souls. Her Indian Bacchus, as a learned professor supplied
Prince Marko's title for her, was a pet, not a companion. She to him was
what she sought for in another. As much as she pitied herself for not
lighting on the predestined man, she pitied him for having met the woman,
so that her tenderness for both inspired many signs of warm affection,
not very unlike the thing it moaned secretly the not being. For she
could not but distinguish a more poignant sorrow in the seeing of the
object we yearn to vainly than in vainly yearning to one unseen.
Dressed, to delight him, in Prince Marko's colours, the care she bestowed
on her dressing was for the one absent, the shrouded comer: so she
pleased the prince to be pleasing to her soul's lord, and this, owing to
an appearance of satisfactory deception that it bore, led to her thinking
guiltily. We may ask it: an eagle is expected, and how is he to declare
his eagleship save by breaking through our mean conventional systems,
tearing links asunder, taking his own in the teeth of vulgar ordinances?
Clotilde's imagination drew on her reading for the knots it tied and
untied, and its ideas of grandeur. Her reading was an interfusion of
Public-domain text, read in full here on John Shaqi.
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