Turn upon her friend at any rate Miriam does; and one of my main points
is missed if it fails to appear that she does so with absolute
sincerity and with the cold passion of the high critic who knows, on
sight of them together, the more or less dazzling false from the
comparatively grey-coloured true. Sherringham's whole profession has
been that he rejoices in her as she is, and that the theatre, the
organised theatre, will be, as Matthew Arnold was in those very days
pronouncing it, irresistible; and it is the promptness with which he
sheds his pretended faith as soon as it feels in the air the breath of
reality, as soon as it asks of him a proof or a sacrifice, it is this
that excites her doubtless sufficiently arrogant scorn. Where is the
virtue of his high interest if it has verily never _been_ an interest to
speak of and if all it has suddenly to suggest is that, in face of a
serious call, it shall be unblushingly relinquished? If he and she
together, and her great field and future, and the whole cause they had
armed and declared for, have not been serious things they have been base
make-believes and trivialities--which is what in fact the homage of
society to art always turns out so soon as art presumes not to be vulgar
and futile. It is immensely the fashion and immensely edifying to listen
to, this homage, while it confines its attention to vanities and frauds;
but it knows only terror, feels only horror, the moment that, instead of
making all the concessions, art proceeds to ask for a few. Miriam is
nothing if not strenuous, and evidently nothing if not "cheeky," where
Sherringham is concerned at least: these, in the all-egotistical
exhibition to which she is condemned, are the very elements of her
figure and the very colours of her portrait. But she is mild and
inconsequent for Nick Dormer (who demands of her so little); as if
gravely and pityingly embracing the truth that _his_ sacrifice, on the
right side, is probably to have very little of her sort of recompense. I
must have had it well before me that she was all aware of the small
strain a great sacrifice to Nick would cost her--by reason of the strong
effect on her of his own superior logic, in which the very intensity of
concentration was so to find its account.
Public-domain text, read in full here on John Shaqi.
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