The tragical acts, or comical tragedies of Punch and JudyJudd, W. J. (William J.)
History
The tragical acts, or comical tragedies of Punch and Judy
Judd, W. J. (William J.)
Punch and Judy; Puppet plays
PUNCH. Poor Toby! (_putting his hand out cautiously, and trying to coax
the dog, who snaps at it_) Toby, you're one nasty, cross dog; get away
with you! (_strikes at him._)
TOBY. Bow, wow, wow! (_seizing PUNCH by the nose._)
PUNCH. Oh, dear! oh, dear! My nose! my poor nose, my beautiful nose!
Get away! get away, you nasty dog--I tell your master. Oh, dear, dear!
Judy! Judy!
[Illustration]
(_PUNCH shakes his nose, but cannot shake off the DOG, who follows
him as he retreats around the stage. He continues to call, "_Judy!
Judy, my dear!_" until the DOG quits his hold, and exit._)
PUNCH (_solus, and rubbing his nose with both hands_). Oh, my nose! my
pretty little nose! You nasty, nasty brute, I will tell your master of
you.
_Re-enter SCARAMOUCH._
SCARA. Ah, ah! Mr. Punch, you got the worst of it. My dog got hold
of your nose. Ah, ah! (_PUNCH, mad at being made fun of, aims a blow
at SCARAMOUCH, but misses; he, quickly disappearing, pops up again,
saying: "_Never mind, Mr. Punch, I'll fetch up a fine horse for you._"
PUNCH commences to dance about in high glee. SCARAMOUCH below stamps
his feet, calling out: "_Wo, ho, my Hector! this way, my Hector._"
PUNCH continues his dance, then attempts to mount his HECTOR by the
tail. Horse gallops away, PUNCH in pursuit._)
_Re-enter PUNCH, leading his horse by the bridle over his arm. It
prances about, and seems very unruly._
PUNCH. Wo, ho, my fine fellow! Wo, ho, Hector! Stand still, can't you,
and let me get my foot up to the stirrup.
(_While PUNCH is trying to mount, the horse runs away round the
stage, and PUNCH sets off after him, catches him by the tail, and
so stops him. PUNCH then mounts by sitting on the front of the
stage, and, with both his hands, lifting one of his legs over the
animal's back. At first it goes pretty steadily, but soon quickens
its pace, while PUNCH, who does not keep his seat very well, cries:
"_Wo, ho, Hector! Wo, ho!_" but to no purpose, for the horse sets
off at full gallop, jerking PUNCH at every stride with great
violence. PUNCH lays hold around the neck, but is ultimately thrown
upon the platform._)
[Illustration]
[Illustration]
ACT II.
SCENE.--_Interior of an Hotel._
PUNCH. Judy! Judy, my dear! Judy, my dear, can't you answer, my dear?
JUDY (_within_). Well, what do you want, Mr. Punch?
PUNCH. Come up-stairs; I want you.
JUDY. Then want must be your master--I'm busy.
PUNCH. Judy, my dear! Judy, my love! Pretty Judy, come up-stairs.
_Enter JUDY._
JUDY. Well, here I am. What do you want, now I'm come?
PUNCH (_aside_). What a pretty creature! An't she a beauty?
JUDY. What do you want, I say?
PUNCH. A kiss; a pretty kiss! (_kisses her, while she hits him a slap
on the face._)
JUDY. Take that, then. How do you like my kisses? Will you have another?
Public-domain text, read in full here on John Shaqi.
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