The tragical acts, or comical tragedies of Punch and JudyJudd, W. J. (William J.)
History
The tragical acts, or comical tragedies of Punch and Judy
Judd, W. J. (William J.)
Punch and Judy; Puppet plays
Powell's show was set up in Covent Garden, opposite to St. Paul's
Church; and the "Spectator" (No. 14) contains the letter of the
sexton, who complained that the performances of Punch thinned the
congregation in the church, and that, as Powell exhibited during the
time of prayers, the tolling of the bell was taken, by all who heard
it, for notice of the intended commencement of the exhibition. The
writer of the paper then proceeds, in another epistle, to establish
that the puppet-show was much superior to the opera of "Rinaldo and
Armida," represented at the Haymarket, and to observe that "too much
encouragement could not be given to Mr. Powell's skill in _motions_." A
regular parallel is drawn between the two, which ends most decidedly in
favor of Powell in every respect but the inferior point of the moral.
From these sources we collect, most distinctly, that the popularity of
Punch was completely established, and that he triumphed over all his
rivals, materially lessening the receipts at least at the Opera, if not
at the regular national theatres, and accomplishing at that period,
by his greater attractiveness, what Dennis, by his "Essay on Operas
after the Italian manner," and other _critiques de profession_, had
been unable to effect. He could hardly have taken such firm possession
of the public mind if he had only recently emigrated from his native
country.
The late Mr. Joseph Strutt, in his "Sports and Pastimes of the People
of England," thus speaks of the puppet-shows in his time: "In my
memory these shows consisted of a wretched display of wooden figures,
barbarously formed and decorated, without the least degree of taste or
propriety: the wires that communicated the motion to them appeared at
the top of their heads, and the manner in which they were made to move
evinced the ignorance and inattention of the managers. The dialogues
were mere jumbles of absurdities and nonsense, intermixed with low,
immoral discourses, passing between Punch and the fiddler, for the
orchestra rarely admitted of more than one minstrel; and these flashes
of merriment were made offensive to decency by the actions of the
puppet."
From whatever cause the change may have arisen, certain it is that at
present, in the ordinary exhibitions of "Punch and Judy," the breaches
of decorum complained of by Mr. Strutt are rare and slight.
Public-domain text, read in full here on John Shaqi.
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