Canada -- History -- To 1763 (New France) -- Fiction
The Abbe de Casson's life had one affection, which had taken the
place of others, now almost lost in the distance of youth, absence, and
indifference. For France lay far from Montreal, and the priest-musician
was infinitely farther off: the miles which the Church measures between
the priest and his lay boyhood are not easily reckoned. But such as
Dollier de Casson must have a field for affection to enrich. You cannot
drive the sap of the tree in upon itself. It must come out or the tree
must die-burst with the very misery of its richness.
This night he was crowding into the music four years of events: of
memory, hope, pride, patience, and affection. He was waiting for some
one whom he had not seen for these four years. Time passed. More and
more did the broad sonorous notes fill the room. At length they ceased,
and with a sigh he pressed the violin once, twice, thrice to his lips.
"My good Stradivarius," he said, "my pearless one!" Once again he kissed
it, and then, drawing his hand across his eyes, he slowly wrapped the
violin in a velvet cloth, put it away in an iron box, and locked it up.
But presently he changed his mind, took it out again, and put it on the
table, shaking his head musingly.
"He will wish to see it, maybe to hear it," he said half aloud.
Then he turned and went into another room. Here there was a prie-dieu in
a corner, and above it a crucifix. He knelt and was soon absorbed.
For a time there was silence. At last there was a crunching of
moccasined feet upon the crisp snow, then a slight tap at the outer door,
and immediately it was opened. A stalwart young man stepped inside. He
looked round, pleased, astonished, and glanced at the violin, then
meaningly towards the nearly closed door of the other room. After which
he pulled off his gloves, threw his cap down, and with a significant toss
of the head, picked up the violin.
He was a strong, handsome man of about twenty-two, with a face at once
open and inscrutable: the mouth with a trick of smiling, the eyes
fearless, convincing, but having at the same time a look behind this--an
alert, profound speculation, which gave his face singular force. He was
not so tall as the priest in the next room, but still he was very tall,
and every movement had a lithe, supple strength. His body was so firm
that, as he bent or turned, it seemed as of soft flexible metal.
Public-domain text, read in full here on John Shaqi.
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