France -- History -- Revolution, 1789-1799 -- Fiction
Still was there that same big talk of hanging men. Still did it seem
that the Marquis of Bellecour accounted himself the same lord of life
and death that he and his forbears had been for generations. But there
were others who thought differently. The music had ceased abruptly, and
a little knot of gentlemen now gathered about the host, and urged him to
take some measures of precaution. In particular they desired to ensure
the safety of the ladies who were being thrown into a great state of
alarm, so that of some of these were the screams that were heard in that
night of terror. Bellecour's temper was fast gaining, and as he
lost control of himself the inherent brutality of his character came
uppermost.
“Mesdames,” he cried rudely, “this screeching will profit us nothing.
Even if we must die, let us die becomingly, not shrieking like butchered
geese.”
A dozen men raised their voices angrily against him in defence of the
women he had slighted. But he waved them impatiently away.
“Is this an hour in which to fall a-quarrelling among ourselves?” he
exclaimed. “Or do you think it one in which a man can stop to choose his
words? Sang-dieu! That screaming is a more serious matter than at first
may seem. If these rebellious dogs should chance to hear it, it will be
but so much encouragement to them. A fearless front, a cold contempt,
are weapons unrivalled if you would prevail against these mutinous
cravens.”
But his guests were insistent that something more than fearless fronts
and cold contempts should be set up as barriers between themselves and
the advancing peasantry. And in the end Bellecour impatiently quitted
the room to give orders for the barricading of the gates and the
defending of the Chateau, leaving behind him in the salon the very
wildest of confusions.
From the windows the peasantry could now be seen, by the light of their
torches, marching up the long avenue that fronted the Chateau, and
headed by a single drum on which the bearer did no more than beat the
step. They were a fierce, unkempt band, rudely armed--some with scythes,
some with sickles, some with hedge-knives, and some with hangers; whilst
here and there was one who carried a gun, and perhaps a bayonet as well.
Nor were there men only in the rebellious ranks. There were an almost
equal number of women in crimson caps, their bosoms bare, their heads
dishevelled, their garments filthy and in rags--for the tooth of poverty
had bitten deeply into them during the past months.
As they swung along to the rhythmical thud of the drum, their voices
were raised in a fearful chorus that must have made one think of the
choirs of hell, and the song they sang was the song of Rouget de l'Isle,
which all France had been singing these twelve months past:
“Aux armes, citoyens!
Formez vos bataillons.
Allons, marchons!
Qu'un sang inpur
Abreuve nos sillons!”
Public-domain text, read in full here on John Shaqi.
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