The Translation of a Savage, Complete — John Shaqi
The Translation of a Savage, CompleteParker, Gilbert
General
The Translation of a Savage, Complete
Parker, Gilbert
England -- Social life and customs -- Fiction; Indians of North America -- Fiction; Married people -- Fiction
and relieved the situation.
General Armour advanced, hat in hand. “You are my son’s wife?” he said
courteously to this being in a blanket.
She looked up and shook her head slightly, for she did not quite
understand; but she recognised his likeness to her husband, and
presently she smiled up musingly. Mackenzie repeated to her what General
Armour had said. She nodded now, a flash of pleasure lighting up her
face, and she slid out her beautiful hand to him. The general took it
and pressed it mechanically, his lips twitching slightly. He pressed it
far harder than he meant, for his feelings were at tension. She winced
slightly, and involuntarily thrust out her other hand, as if to relieve
his pressure. As she did so the blanket fell away from her head and
shoulders. Lambert, with excellent intuition, caught it, and threw it
across his arm. Then, quickly, and without embarrassment, he and Mrs.
Townley greeted General Armour, who returned the greetings gravely, but
in a singular, confidential tone, which showed his gratitude. Then
he raised his hat again to Lali, and said: “Come and let me introduce
you--to your husband’s mother.”
The falling back of that blanket had saved the situation; for when the
girl stood without it in her buckskin garments there was a dignity in
her bearing which carried off the bizarre event. There was timidity in
her face, and yet a kind of pride too, though she was only a savage. The
case, even at this critical moment, did not seem quite hopeless. When
they came to Mrs. Armour, Lali shrank away timidly from the look in the
mother’s eyes, and, shivering slightly, looked round for her blanket.
But Lambert had deftly passed it on to the footman. Presently Mrs.
Armour took both the girl’s hands in hers (perhaps she did it because
the eyes of the public were on her, but that is neither here nor
there--she did it), and kissed her on the cheek. Then they moved away to
a closed carriage.
And that was the second act in Frank Armour’s comedy of errors.
CHAPTER IV. IN THE NAME OF THE FAMILY
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account