The Translation of a Savage, CompleteParker, Gilbert
General
The Translation of a Savage, Complete
Parker, Gilbert
England -- Social life and customs -- Fiction; Indians of North America -- Fiction; Married people -- Fiction
Quick as Marion was, this was said so quietly that she did not quite see
the drift of it. She had intended staying in London to the end of the
season, not because she enjoyed it, but because she was determined to
face Frank’s marriage at every quarter, and have it over, once for all,
so far as herself was concerned. But now, taken slightly aback, she
said, almost without thinking, that she would probably go back soon--she
was not quite sure; but certainly her father and mother would be glad to
see Captain Vidall at any time.
Then, without any apparent relevancy, he asked her if Mrs. Frank Armour
still wore her Indian costume. In any one else the question had seemed
impertinent; in him it had a touch of confidence, of the privilege of
close friendship. Then he said, with a meditative look and a very calm,
retrospective voice, that he was once very much in love with a native
girl in India, and might have become permanently devoted to her, were it
not for the accident of his being ordered back to England summarily.
This was a piece of news which cut two ways. In the first place it
lessened the extraordinary character of Frank’s marriage, and it roused
in her an immediate curiosity--which a woman always feels in the past
“affairs” of her lover, or possible lover. Vidall did not take pains to
impress her with the fact that the matter occurred when he was almost a
boy; and it was when her earnest inquisition had drawn from him, bit by
bit, the circumstances of the case, and she had forgotten many parts of
her commination service and to preserve an effective neutrality in tone,
that she became aware he was speaking ancient history. Then it was too
late to draw back.
They had threaded their way through the crowd into the conservatory,
where they were quite alone, and there, with only a little pyramid of
hydrangeas between them, which she could not help but notice chimed well
with the colour of her dress, he dropped his voice a little lower, and
then suddenly said, his eyes hard on her: “I want your permission to go
to Greyhope.”
The tone drew her eyes hastily to his, and, seeing, she dropped them
again. Vidall had a strong will, and, what is of more consequence, a
peculiarly attractive voice. It had a vibration which made some of his
words organ-like in sound. She felt the influence of it. She said a
little faintly, her fingers toying with a hydrangea: “I am afraid I do
not understand. There is no reason why you should not go to Greyhope
without my permission.”
“I cannot go without it,” he persisted. “I am waiting for my commission
from you.”
She dropped her hand from the flower with a little impatient motion.
She was tired, her head ached, she wanted to be alone. “Why are you
enigmatical?” she said. Then quickly: “I wish I knew what is in your
mind. You play with words so.”
Public-domain text, read in full here on John Shaqi.
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