“I met a woman a year or so ago at dinner,” said Vidall, “who looked forty. She looked it, and she acted it. She was younger than any woman present, but she seemed older. There was a kind of hopeless languor about her which struck me as pathetic. Yet she had been beautiful, and might even have been so when I saw her, if it hadn’t been for that look. It was the look of a person who had no interest in things. And the person who has no interest in things is the person who once had a great deal of interest in things, who had too passionate an interest. The revulsion is always terrible. Too much romance is deadly. It is as false a stimulant as opium or alcohol, and leaves a corresponding mark. Well, I heard her history. She was married at fifteen--ran away to be married; and in spite of the fact that a railway accident nearly took her husband from her on the night of her marriage--one would have thought that would make a strong bond--she was soon alive to the attentions that are given a pretty and--considerate woman. At a ball at Naples, her husband, having in vain tried to induce her to go home, picked her up under his arm and carried her out of the ballroom. Then came a couple of years of opium-eating, fierce social excitement, divorce, new marriage, and so on, until her husband agreeably decided to live in Nice, while she lived somewhere else. Four days after I had met her at the dinner I saw her again. I could scarcely believe my eyes. The woman had changed completely. She was young again-twenty-five, in face and carriage, in the eye and hand, in step and voice.” “Who was the man?” suggested Frank Armour. “A man about her own age, or a little more, but who was an infant beside her in knowledge of the world.” “She was in love with the fellow? It was a grande passion?” asked Lambert. “In love with him? No, not at all. It was a momentary revival of an old-possibility.” “You mean that such women never really love?” “Perhaps once, Frank, but only after a fashion. The rest was mere imitation of their first impulses.” “And this woman?” “Well, the end came sooner than I expected. I tell you I was shocked at the look in her face when I saw it again. That light had flickered out; the sensitive alertness of hand, eye, voice, and carriage had died away; lines had settled in the face, and the face itself had gone cold, with that hard, cold passiveness which comes from exhausted emotions and a closed heart. The jewels she wore might have been put upon a statue with equal effect.” “It seems to me that we might pitch into men in these things and not make women the dreadful examples,” said a voice from the corner. It was the voice of Richard, who had but just entered.