The Trappers of Arkansas; or, The Loyal HeartAimard, Gustave
General
The Trappers of Arkansas; or, The Loyal Heart
Aimard, Gustave
Arkansas -- Fiction; Frontier and pioneer life -- West (U.S.) -- Fiction; Trappers -- Fiction; Western stories
Nothing is to be seen but, at rare intervals, ironwood, gum, and Peru
trees, with red and spicy clusters, nopales, and cactuses, the only
trees that can possibly grow in a soil calcined by the incandescent rays
of a perpendicular sun.
At distances are visible, as if in bitter derision, the long poles
of cisterns, with a leathern bucket, twisted and shrivelled, at one
extremity, and at the other stones fastened by straps; but the cisterns
are dry, and the bottom of them is merely a black slimy crust, in which
myriads of unclean animals disport; whirlwinds of a fine and impalpable
dust, raised by the least breath of wind, choke the panting traveller,
and under every blade of dried grass the grasshoppers call with fury for
the beneficent night dews.
When, however, with great labour, the traveller has covered six leagues
of this burning solitude, the eye reposes with delight upon a splendid
oasis, which appears all at once to rise from the bosom of the sands.
This Eden is the Hacienda del Milagro.
At the time our history took place, this hacienda, one of the richest
and largest in the province, was composed of a two storied house, built
of _tapia_ and _adobes_, with a terrace roof of reeds, covered with
beaten earth.
Access to the hacienda was gained by passing through an immense court,
the entrance of which shaped like an arched portico, was furnished with
strong folding gates, and a postern on one side. Pour chambers completed
the front; the windows had gratings of gilded iron, and shutters inside;
they were glazed, an almost unheard-of luxury in that country at that
time; on the four sides of the court, or patio, were the apartments for
the peons and children, &c.
The ground floor of the principal house was composed of three
apartments; a kind of grand vestibule furnished with antique fauteuils
and canopies covered with stamped Cordovan leather, with a large nopal
table and some stools; upon the walls hung, in gilded frames, several
old full-length portraits, representing the members of the family;
while the beams of the ceiling, left in relief, were decorated with a
profusion of carvings.
Public-domain text, read in full here on John Shaqi.
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