Asia -- Description and travel -- Early works to 1800; Mongols -- History; Polo, Marco, 1254-1323?; Voyages and travels
[4] “_Ad terzarolos_” (_Secreta Fidelium Crucis_, p. 57). The Catalan
Worthy, Ramon de Muntaner, indeed constantly denounces the practice
of manning _all_ the galleys with _terzaruoli_, or _tersols_,
as his term is. But his reason is that these thirds-men were
taken from the oar when crossbowmen were wanted, to act in that
capacity, and as such they were good for nothing; the crossbowmen,
he insists, should be men specially enlisted for that service and
kept to that. He would have some 10 or 20 per cent. only of the
fleet built very light and manned in threes. He does not seem to
have contemplated oars three-banked, and crossbowmen _besides_, as
Sanudo does. (See below; and _Muntaner_, pp. 288, 323, 525, etc.)
In Sanudo we have a glimpse worth noting of the word _soldiers_
advancing towards the modern sense; he expresses a strong
preference for _soldati_ (viz. _paid_ soldiers) over _crusaders_
(viz. volunteers), p. 74.
[5] _L’Armata Navale_, Roma, 1616, pp. 150–151.
[6] See a work to which I am indebted for a good deal of light and
information, the Engineer Giovanni Casoni’s Essay: “_Dei Navigli
Poliremi usati nella Marina dagli Antichi Veneziani_,” in
“_Esercitazioni dell’Ateneo Veneto_,” vol. ii. p. 338. This great
_Quinquereme_, as it was styled, is stated to have been struck by a
fire-arrow, and blown up, in January 1570.
[7] _Pantera_, p. 22.
[8] _Lazarus Bayfius de Re Navali Veterum_, in _Gronovii Thesaurus_,
Ven. 1737, vol. xi. p. 581. This writer also speaks of the
Quinquereme mentioned above (p. 577).
[9] _Marinus Sanutius_, p. 65.
[10] See the woodcuts opposite and at p. 37; also _Pantera_, p. 46
(who is here, however, speaking of the great-oared galleys), and
_Coronelli_, i. 140.
[11] _Casoni_, p. 324. He obtains these particulars from a manuscript
work of the 16th century by Cristoforo Canale.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account