Dr. Caldwell has given a striking account of the practice of devil-dancing among the Shanars of Tinnevelly, which forms a perfect parallel in modern language to our Traveller’s description of a scene of which he also had manifestly been an eye-witness: “When the preparations are completed and the devil-dance is about to commence, the music is at first comparatively slow; the dancer seems impassive and sullen, and he either stands still or moves about in gloomy silence. Gradually, as the music becomes quicker and louder, his excitement begins to rise. Sometimes, to help him to work himself up into a frenzy, he uses medicated draughts, cuts and lacerates himself till the blood flows, lashes himself with a huge whip, presses a burning torch to his breast, drinks the blood which flows from his own wounds, or drains the blood of the sacrifice, putting the throat of the decapitated goat to his mouth. Then, as if he had acquired new life, he begins to brandish his staff of bells, and to dance with a quick but wild unsteady step. Suddenly the afflatus descends; there is no mistaking that glare, or those frantic leaps. He snorts, he stares, he gyrates. The demon has now taken bodily possession of him, and though he retains the power of utterance and motion, both are under the demon’s control, and his separate consciousness is in abeyance. The bystanders signalise the event by raising a long shout, attended with a peculiar vibratory noise, caused by the motion of the hand and tongue, or the tongue alone. The devil-dancer is now worshipped as a present deity, and every bystander consults him respecting his diseases, his wants, the welfare of his absent relatives, the offerings to be made for the accomplishment of his wishes, and in short everything for which superhuman knowledge is supposed to be available.” (_Hodgson, J. R. As. Soc._ XVIII. 397; _The Tinnevelly Shanars_, by the _Rev. R. Caldwell, B.A._, Madras, 1849, pp. 19–20.) ---------------------------------------------------------------------- [1] “_Singpho_,” says Colonel Hannay, “signifies in the Kakhyen language ‘a man,’ and all of this race who have settled in Hookong or Assam are thus designated; the reason of their change of name I could not ascertain, but so much importance seems to be attached to it, that the Singphos, in talking of their eastern and southern neighbours, call them Kakhyens or Kakoos, and consider it an insult to be called so themselves.” (_Sketch of the Singphos, or the Kakhyens of Burma_, Calcutta, 1847, pp. 3–4.) If, however, the Kakhyens, or _Kachyens_ (as Major Sladen calls them), are represented by the _Go-tchang_ of Pauthier’s Chinese extracts, these seem to be distinguished from the Kin-Chi, though associated with them. (See pp. 397, 411.)