197. Metropolitan City of HANG-CHAU in the 13th Century. From the Notes of the Right Rev. _G. E. Moule_. 209. _Fang_ of SI-NGAN FU. Communicated by _A. Wylie_. 212. Stone _Chwang_ or UMBRELLA COLUMN, one of two which still mark the site of the ancient Buddhist Monastery called _Fan-T’ien-Sze_ or “Brahma’s Temple” at Hang-chau. Reduced from a pen-and-ink sketch by _Mr. Moule_. 223. Mr. PHILLIPS’ Theory of Marco Polo’s Route through Fo-Kien. 228. Scene in the BOHEA MOUNTAINS, on Polo’s route between Kiang-Si and Fo-Kien. From _Fortune’s Three Years’ Wanderings_. 233. Scene on the MIN RIVER below Fu-chau. _From the same._ 245. The KAAN’S FLEET leaving the Port of ZAYTON. The scenery is taken from an engraving in _Fisher’s China_, purporting to represent the mouth of the Chinchew River (or River of Tswan-chau), after a sketch by _Capt._ (now Adm.) _Stoddart_. But the Rev. Dr. Douglas, having pointed out that this cut really supported _his_ view of the identity of Zayton, being a view of the _Chang-chau_ River, reference was made to Admiral Stoddart, and Dr. Douglas proves to be quite right. The View was really one of the Chang-chau River; but the Editor has not been able to procure material for one of the Tswan-chau River, and so he leaves it. BOOK THIRD _Page_ 248. The KAAN’S FLEET passing through the Indian ARCHIPELAGO. From a drawing by the Editor. 254. Ancient JAPANESE EMPEROR, after a Native Drawing. From the _Tour du Monde_. 257. Ancient JAPANESE ARCHER, after a native drawing. _From the same._ 261. The JAPANESE engaged in combat with the CHINESE, after an ancient native drawing. From _Charton, Voyageurs Anciens et Modernes_. 273. JAVA. A view in the interior. From a sketch of the slopes of the Gedéh Volcano, taken by the Editor in 1860. 274. Bas Relief of one of the VESSELS frequenting the Ports of JAVA in the Middle Ages. From one of the sculptures of the BORO BODOR, after a photograph. 289. The three Asiatic RHINOCEROSES. Adapted from a proof of a woodcut given to the Editor for the purpose by the late eminent zoologist, _Edward Blyth_. It is not known to the Editor whether the cut appeared in any other publication. 291. MONOCEROS and the MAIDEN. From a mediæval drawing engraved in _Cahier et Martin, Mélanges d’Archéologie_, II. Pl. 30. 310. The BORÚS. From a manuscript belonging to the late CHARLES SCHEFER, now in the _Bibliothèque Nationale_, Paris. 311. The CYNOCEPHALI. From the _Livre des Merveilles_. 321. ADAM’S PEAK from the Sea.