Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net Illustration: Copyright 1906 By Marie Corelli Signature: Marie Corelli FROM A PHOTOGRAPH TAKEN THIS YEAR BY GABELL, LONDON The Treasure Of Heaven A Romance Of Riches By Marie Corelli AUTHOR OF "GOD'S GOOD MAN," "THELMA," "THE SORROWS OF SATAN," "ARDATH," "THE STORY OF A DEAD SELF," "FREE OPINIONS," "TEMPORAL POWER," ETC. NEW YORK DODD, MEAD & COMPANY 1906 Copyright, 1906, by DODD, MEAD & COMPANY Published, August, 1906 To Bertha 'A faithful friend is better than gold.' Author's Note By the special request of the Publishers, a portrait of myself, taken in the spring of this year, 1906, forms the Frontispiece to the present volume. I am somewhat reluctant to see it so placed, because it has nothing whatever to do with the story which is told in the following pages, beyond being a faithful likeness of the author who is responsible for this, and many other previous books which have had the good fortune to meet with a friendly reception from the reading public. Moreover, I am not quite able to convince myself that my pictured personality can have any interest for my readers, as it has always seemed to me that an author's real being is more disclosed in his or her work than in any portrayed presentment of mere physiognomy. But--owing to the fact that various gross, and I think I may say libellous and fictitious misrepresentations of me have been freely and unwarrantably circulated throughout Great Britain, the Colonies, and America, by certain "lower" sections of the pictorial press, which, with a zeal worthy of a better and kinder cause, have striven by this means to alienate my readers from me,--it appears to my Publishers advisable that an authentic likeness of myself, as I truly am to-day, should now be issued in order to prevent any further misleading of the public by fraudulent inventions. The original photograph from which Messrs. Dodd, Mead & Co. have reproduced the present photogravure, was taken by Mr. G. Gabell of Eccleston Street, London, who, at the time of my submitting myself to his camera, was not aware of my identity. I used, for the nonce, the name of a lady friend, who arranged that the proofs of the portrait should be sent to her at various different addresses,--and it was not till this "Romance of Riches" was on the verge of publication that I disclosed the real position to the courteous artist himself. That I thus elected to be photographed as an unknown rather than a known person was in order that no extra pains should be taken on my behalf, but that I should be treated just as an ordinary stranger would be treated, with no less, but at the same time certainly no more, care.