The treatment of nature in English poetry between Pope and WordsworthReynolds, Myra
History
The treatment of nature in English poetry between Pope and Wordsworth
Reynolds, Myra
English poetry -- History and criticism; Nature in literature
William Lisle Bowles is another of the reputed “fathers” of modern
poetry. His slender title to the distinction thus conferred upon him by
Rev. George Gilfillan,[514] rests on the admiration of Coleridge,[515]
Southey,[516] and Lovel for his early poems.[517] From 1798 to the end
of his life Bowles wrote constantly, so the list of his works is a long
one; but in the present study we are concerned only with the poems
before 1798, the ones that stirred Coleridge to abandon metaphysics for
poetry.
From fourteen to nineteen years of age Bowles was in Winchester School
under the tutelage of Dr. Joseph Warton, who won the boy’s confidence
and inspired him with his own tastes. In the “Monody on the Death of
Dr. Warton,” written eighteen years after these school days, Bowles
says of Warton,
Thy cheering voice,
O Warton! bade my silent heart rejoice,
And wake to love of nature; every breeze
On Itchen’s brink was melody; the trees
Waved in fresh beauty; ...
... And witness thou
Catherine, upon whose foss-encircled brow
We met the morning, how I loved to trace
The prospect spread around....
So passed my days with new delight.
Warton also taught him to love literature. He learned to read Greek
poets with “young-eyed sympathy,” and he went with “holier joy” to
The lonely heights where Shakespeare sat sublime.
Charmed, the lad bent his soul
Great Milton’s solemn harmonies to hear.
“Unheeded midnight hours” were beguiled by the wild song of Ossian, and
his fancy found a “magic spell” in the “Odes” of his master, Dr. Warton.
The influences of these early school days had awakened Bowles to love
of Nature and of poetry, and when sorrow came it was to Nature and
to poetry that he turned for relief. His “Sonnets” are the direct
and genuine expression of a personal grief. They were composed, he
says, during a tour in which he “sought forgetfulness of the first
disappointment in early affections,”[518] and they are pervaded by a
melancholy unmistakably real. But along with this deep sadness is a
frequent recognition of the power of Nature to give at least temporary
respite from grief. Not only does she “steep each sense in still
delight,”[519] but she bestows “a soothing charm.”[520] The lovely
sights and sounds of morning
Touch soft the wakeful nerve’s according string.[521]
The river Itchen brings “solace to his heart.”[522] After visiting the
Cherwell he says:
Whate’er betide, yet something have I won
Of solace, that may bear me on serene.[523]
In the midst of sorrow he is
Thankful that still the landscape beaming bright
Can wake the wonted sense of pure delight.[524]
Public-domain text, read in full here on John Shaqi.
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