The treatment of nature in English poetry between Pope and WordsworthReynolds, Myra
History
The treatment of nature in English poetry between Pope and Wordsworth
Reynolds, Myra
English poetry -- History and criticism; Nature in literature
The landscapes painted by Wilson between 1755 and 1760, the date of
the first public exhibition of pictures[610] in England, cannot be
absolutely identified, but he was probably spending much of his time
in painting from the sketches made in Italy. In the exhibition of 1760
was his “Niobe.” In the same year he painted an upright picture of
the Arno for the drawing-room mantel-piece of a patron in Platt Hall,
Manchester. In 1761 were exhibited “The Lake of Nemi” and other Italian
pictures. The “Phaeton” appeared in 1763, the “L’Anconetta” in 1764,
the “Villa Madama” in 1765, and many other Italian pictures in these
and successive years. By 1768 he had exhibited about thirty landscapes
nearly all of which were based on his Italian sketches, and it was his
custom through his life to paint pictures the chief elements of which
were the sunny skies and ruined temples of classic regions.
A recognition of the great influence of Italy over Wilson’s mind and
art should not, however, be allowed to obscure the fact that he gave
equally sympathetic response to the scenes of his own land. When
Stothard was a student at the Royal Academy he asked Wilson to suggest
to him something to copy, and Wilson, who happened to be looking out
over the Thames, responded that there could not well be anything better
to copy than that. That he loved English scenery becomes apparent
when we study such pictures as the lovely “English Landscape”[611]
in the possession of the Rev. Stopford Brooke, the “River Scene with
Castle” in the South Kensington Gallery, the “View on the Wye”[611]
in the National Gallery, the “De Tabley House” in the possession of
A. T. Hollingsworth,[612] “Wilton in Wiltshire,”[613] “View in Kew
Gardens,”[614] “Sion House,” and “A View near Chester.” The dates of
these English pictures can seldom be determined, but it is evident that
he made occasional sketching tours, for the exhibitions record views in
Bedfordshire, Devonshire, and Cheshire, besides those of places in the
immediate neighborhood of London such as St. James’ Park, Windsor Great
Park, Kew Gardens, and Hounslow Heath.
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