[580] These pictures of women and children are for the most part in private galleries. But no artist has been more fully and adequately represented in engravings than Reynolds. In the Print Room of the British Museum there are twelve large albums of prints after his paintings. There are also numerous reproductions in books such as Cyril Davenport’s “Mezzotints,” Lord Gower’s “Sir Joshua Reynolds,” Alfred Whitman’s “The Print Collector’s Handbook,” Gordon Goodwin’s “British Mezzotinters,” and Julia Frankau’s “Eighteenth-Century Colour-Prints.” The most important of the engravers of Reynolds’ pictures were James McArdell (1729–65), Valentine Green (1739–1813), S. W. Reynolds (1773–1835), John Raphael Smith (1752–1812) and Caroline Watson (1761?–1814). Valentine Green began in 1780 a series of Reynolds’ “Beauties of the Present Age” on the plan of Lely’s and Kneller’s “Beauties.” These engravings were originally issued at fifteen shillings each, but they have increased enormously in value. At a recent sale a proof of the “Duchess of Rutland” brought a thousand pounds, nearly five times as much as Reynolds received for the original picture (Salaman, “Old Engravers of England,” p. 138). [581] It seems strange that Reynolds did not do more in the way of pure landscape. In the South Kensington gallery is a pleasing little brown landscape, “The Entrance to Mrs. Thrale’s Park at Streatham.” Lord Gower in “Sir Joshua Reynolds, R.A.” reproduces a landscape in the possession of Lord Northcote and entitled “A Study from Sir Joshua’s Villa at Richmond Hill.” We find mention, also, of other landscapes, but they form no significant part of his work. [582] Sir Walter Armstrong, “Gainsborough and His Place in British Art,” p. 171 [583] John C. Van Dyke, “Old English Masters,” p. 58. [584] In the Wallace Gallery, London. Reproduced in Sir Walter Armstrong’s “Gainsborough,” p. 88. [585] Owned by the Lord Rothschild. Reproduced in Sir Walter Armstrong’s “Gainsborough,” p. 124. [586] These two pictures are in the Dulwich Gallery, London. [587] Owned by the Lord Rothschild. Reproduced by Braun, Clement & Cie. [588] Owned by Sir Algernon Neeld. Reproduced in Sir Walter Armstrong’s “Gainsborough,” p. 140. [589] For an account of the engravings from Gainsborough’s pictures see H. P. Horne, “Engraved Works of Gainsborough and Romney,” 1891.