The treatment of nature in English poetry between Pope and WordsworthReynolds, Myra
History
The treatment of nature in English poetry between Pope and Wordsworth
Reynolds, Myra
English poetry -- History and criticism; Nature in literature
Then again when the heavens wear a more gloomy aspect, the winds
whistle, and the waters spout, I see you in the well-known
clough, beneath the solemn arch of tall, thick embowering trees,
listening to the amusing lull of the many steep, moss-grown
cascades, while deep, divine contemplation, the genius of the
place, prompts each swelling awful thought. I am sure you would
not resign your place in that scene at any easy rate. None ever
enjoyed it to the height you do, and you are worthy of it. There
I walk in spirit and disport in its beloved gloom. This country
I am in is not very entertaining; no variety but that of woods,
and them we have in abundance; but where is the living stream?
the airy mountain? or the hanging rock? with twenty other things
that elegantly please the lover of nature. Nature delights me in
every form.
Later in life Thomson was “more fat than bard beseems,” and
correspondingly indolent, and his biographers give the impression that
no beauty of the world about him could compete with the charms of an
easy chair. But his letters still bear witness to a love of Nature as
real if not as active as that of his youth. In July, 1743, he wrote to
Mr. Lyttleton promising to spend some weeks with him at Hagley:
As this will fall in Autumn, I shall like it the better, for I
think that season of the year the most pleasing and the most
poetical. The spirits are not then dissipated with the gaiety
of spring, and the glaring light of summer, but composed into
a serious and tempered joy. The year is perfect.... The muses,
whom you obligingly say I shall bring with me, I shall find with
you--the muses of the great, simple country, not the little,
fine-lady muses of Richmond Hill.
Again four or five years later, he wrote to Paterson, “Retirement and
nature are more and more my passion every day.”[321]
This passion for Nature finds frequent expression in the poems, but
no citation of specific instances can be so convincing as the general
impression of unforced personal enthusiasm made upon the reader of “The
Seasons.” Moreover, Thomson’s conception of the effect of Nature on
man, the next topic, may be fairly counted as but a transcript from his
own experience, and therefore as further illustrative of his love for
Nature.
Public-domain text, read in full here on John Shaqi.
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