The treatment of nature in English poetry between Pope and WordsworthReynolds, Myra
History
The treatment of nature in English poetry between Pope and Wordsworth
Reynolds, Myra
English poetry -- History and criticism; Nature in literature
Among the minor poets of this period was Stephen Duck (1705–1756).
He spent most of his life on a farm where he early began to write
verses which attracted much local attention and finally gained for
their author substantial favor at Court. His “Thresher’s Labour” is
interesting simply because it is a realistic treatment of a homely
English theme.[350] Duck’s poems were popular in their own day, but his
treatment of Nature is commonplace.
The poetry of these four years is interesting because it indicates how
early Thomson’s influence made itself felt, as in the work of Mallet
and Savage; and also because it shows a use of Nature quite unlike
Thomson’s and equally significant of coming tendencies, as in the work
of Dyer.
THE POETS BETWEEN 1730 AND 1756
The choice of 1756 as the date to mark the close of this period is
based on the appearance in that year of Joseph Warton’s “Essay on
Pope.” In the twenty-six years between Thomson’s “Seasons” and this
“Essay,” the most important literary works are in prose, as the novels
of Fielding, Richardson, and Smollett, and the theological writings of
Butler, Hume, and Warburton. The period is marked by the establishment
of numerous periodicals, by the work of editors, and of compilers. The
most important poetry of the period was the “Essay on Man,” “Moral
Essays,” and “The Dunciad” by Pope. In writing of this sort there is,
of course, little use of external Nature. And it has already been
shown that the tragedies of Thomson and the later work of Armstrong,
Mallet, and Dyer which appeared during these years, either ignore
Nature or treat it in a stiff or simply imitative manner. But there
are in the twenty-six years poems that are not only in accord with
the changing attitude toward Nature, but that distinctly aid in the
evolution of the new conception. The chief names are William Somerville
(1675–1742), William Shenstone (1714–63), Matthew Greene, (1696–1737),
William Collins (1721–59), William Hamilton (1704–54), Edward Young
(1683–1765), Dr. Akenside (1721–70), Thomas Gray (1716–71), Joseph
Warton (1722–1800), and Thomas Warton (1728–90). There are other
authors whose works are not, as a whole, of importance in this study,
but who have written single poems of some significance. Some of these
minor poets are Samuel Boyse (1708–49), William Whitehead (1715–85),
Dr. John Dalton (1709–63), R. Potter (1721–1804), William Mason
(1724–97), Francis Coventry (d. 1759?), Richard Jago (1715–81), Moses
Mendes (d. 1758), William Thompson (1712?–66?), Joseph Relph (1712–43),
John Gilbert Cooper (1723–69), and Robert Blair (1699–1746).
Public-domain text, read in full here on John Shaqi.
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