But in secret she admired her daughter's candour, her downrightness and straightforwardness, her disdain of conventions and hypocrisies. Frances was not glad, she knew she was not glad, any more than Dorothy was glad, to see her mother and her sisters. She only pretended. In secret she was afraid of every moment she would have to live with them. She had lived with them too long. She foresaw what would happen this afternoon, how they would look, what they would say and do, and with what gestures. It would be like the telling, for the thirteenth time, of a dull story that you know every word of. She thought she had sent them a kind message. But she knew she had only asked them to come early in order that they might go early and leave her to her happiness. She went down to the terrace wall where Michael and Nicky and Dorothy were watching for them. She was impatient, and she thought that she wanted to see them coming. But she only wanted to see if they were coming early. It struck her that this was sad. * * * * * Small and distant, the four black figures moved on the slope under the Judges' Walk; four spots of black that crawled on the sallow grass and the yellow clay of the Heath. "How little they look," Michael said. Their littleness and their distance made them harmless, made them pathetic. Frances was sorry that she was not glad. That was the difference between her and Dorothy, that she was sorry and always would be sorry for not being what she ought to be; and Dorothy never would be sorry for being what she was. She seemed to be saying, already, in her clearness and hardness, "What I am I am, and you can't change me." The utmost you could wring from her was that she couldn't help it. Frances's sorrow was almost unbearable when the four women in black came nearer, when she saw them climbing the slope below the garden and the lane. II Grannie took a long time crossing the lawn from the door in the lane to the tree of Heaven. She came first. Her daughters followed, forced to her slow pace, advancing with an air of imperfect cohesion, of not really belonging to each other, as if they had been strangers associated by some accident. It had grown on them in their efforts to carry off the embarrassment of appearing as an eternal trio. Auntie Louie carried it off best. Sharp and rigid, Auntie Louie's figure never lent itself to any group. But for her black gown she really might not have belonged. Mrs. Fleming went slowly, not because she was old, for she was only sixty, but because, though she said, and thought, that she was wrapped up in Frances and her children, she was still absorbed, fascinated by her sacred sense of bereavement. She moved as if hypnotized by her own sorrow.