Women -- Suffrage -- Great Britain -- Fiction; World War, 1914-1918 -- Great Britain -- Fiction
The doors of Michael's and of Nicky's rooms were always kept shut;
Frances knew that, if she were to open the door on the other side of the
corridor and look in, every thing in Nicky's room would welcome her with
tenderness even while it inflicted its unique and separate wound. But
Michael's room was bare and silent. He had cleared everything away out
of her sight last year before he went. The very books on the shelves
repudiated her; reminded her that she had never understood him, that he
had always escaped her. His room kept his secret, and she felt afraid
and abashed in it, knowing herself an intruder. Presently all that was
most precious in it would be taken from her and given over to a stranger
whom he had never liked.
Her mind turned and fastened on one object--the stiff, naked wooden
chair standing in its place before the oak table by the window. She
remembered how she had come to Michael there and found him writing at
his table, and how she had talked to him as though he had been a shirker
and a coward.
She had borne Nicky's death. But she could not bear Michael's. She stood
there in his room, staring, hypnotized by her memory. She heard Dorothea
come in and go out again. And then Veronica came in.
She turned to Veronica to help her.
She clung to Veronica and was jealous of her. Veronica had not come
between her and Nicky as long as he was alive, but now that he was dead
she came between them. She came between her and Michael too. Michael's
mind had always been beyond her; she could only reach it through
Veronica and through Veronica's secret. Her mind clutched at Veronica's
secret, and flung it away as useless, and returned, clutching at
it again.
It was as if Veronica held the souls of Michael and Nicholas in her
hands. She offered her the souls of her dead sons. She was the mediator
between her and their souls.
"I could bear it, Veronica, if I hadn't made him go. I came to him,
here, in this room, and bullied him till he went. I said horrible things
to him--that he must have remembered.
"He wasn't like Nicky--it was infinitely worse for him. And I was cruel
to him. I had no pity. I drove him out--to be killed.
"And I simply cannot bear it."
"But--he didn't go then. He waited till--till he was free. If anybody
could have made him, Nicky could. But it wasn't even Nicky. It was
himself."
"If he'd been killed as Nicky was--but to die like that, in the
hospital--of those horrible wounds."
"He was leading a charge, just as Nicky was. And you know he was happy,
just as Nicky was. Every line he's written shows that he was happy."
"It only shows that they were both full of life, that they loved their
life and wanted to live.
Public-domain text, read in full here on John Shaqi.
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