Women -- Suffrage -- Great Britain -- Fiction; World War, 1914-1918 -- Great Britain -- Fiction
Months passed. The War Office had not yet given up Nicky's model of the
Moving Fortress. In the first month it was not aware of any letter or of
any parcel or of any Mr. Nicholas Harrison. In the second month
inquiries would be made and the results communicated to Captain Drayton.
In the third month the War Office knew nothing of the matter referred to
by Captain Drayton.
Drayton hadn't a hope. "We can't get it back, Nicky," he said.
"I can," said Nicky, "I can get it back out of my head."
All through the winter of nineteen-eleven and the spring of
nineteen-twelve they worked at it together. They owned that they were
thus getting better results than either of them could have got alone.
There were impossibilities about Nicky's model that a gunner would have
seen at once, and there were faults in Drayton's plans that an engineer
would not have made. Nicky couldn't draw the plans and Drayton couldn't
build the models. They said it was fifty times better fun to work at
it together.
Nicky was happy.
* * * * *
Desmond watched them sombrely. She and Alfred Orde-Jones, the painter,
laughed at them behind their backs. She said "How funny they are! Frank
wouldn't hurt a fly and Nicky wouldn't say 'Bo!' to a goose if he
thought it would frighten the goose, and yet they're only happy when
they're inventing some horrible machine that'll kill thousands of people
who never did them any harm." He said, "That's because they haven't any
imagination."
Nicky got up early and went to bed late to work at the Moving Fortress.
The time between had to be given to the Works. The Company had paid him
fairly well for all his patents in the hope of getting more of his
ideas, and when they found that no ideas were forthcoming they took it
out of him in labour. He was too busy and too happy to notice what
Desmond was doing.
One day Vera said to him, "Nicky, do you know that Desmond is going
about a good deal with Alfred Orde-Jones?"
"Is she? Is there any reason why she shouldn't?"
"Not unless you call Orde-Jones a reason."
"You mean I've got to stop it? How can I?"
"You can't. Nothing can stop Desmond."
"What do you think I ought to do about it?"
"Nothing. She goes about with scores of people. It doesn't follow that
there's anything in it."
"Oh, Lord, I should hope not! That beastly bounder. What _could_ there
be in it?"
"He's a clever painter, Nicky. So's Desmond. There's that in it."
"I've hardly a right to object to that, have I? It's not as if I were a
clever painter myself."
But as he walked home between the white-walled gardens of St. John's
Wood, and through Regent's Park and Baker Street, and down the north
side of Hyde Park and Kensington Gardens, he worried the thing
to shreds.
There couldn't be anything in it.
Public-domain text, read in full here on John Shaqi.
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