The Trees of PrideChesterton, G. K. (Gilbert Keith)
General
The Trees of Pride
Chesterton, G. K. (Gilbert Keith)
Murder -- Fiction; Mystery fiction
Then, after a pause, he made a general gesture toward the house and
garden. “I’m afraid I don’t believe in all this; for instance, in
Elizabethan houses and Elizabethan families and the way estates have
been improved, and the rest of it. Look at our friend the woodcutter
now.” And he pointed to the man with the quaint black beard, who was
still plying his ax upon the timber below.
“That man’s family goes back for ages, and it was far richer and freer
in what you call the Dark Ages than it is now. Wait till the Cornish
peasant writes a history of Cornwall.”
“But what in the world,” she demanded, “has this to do with whether you
believe in a tree eating birds?”
“Why should I confess what I believe in?” he said, a muffled drum of
mutiny in his voice. “The gentry came here and took our land and took
our labor and took our customs. And now, after exploitation, a viler
thing, education! They must take our dreams!”
“Well, this dream was rather a nightmare, wasn’t it?” asked Barbara,
smiling; and the next moment grew quite grave, saying almost anxiously:
“But here’s Doctor Brown back again. Why, he looks quite upset.”
The doctor, a black figure on the green lawn, was, indeed, coming toward
them at a very vigorous walk. His body and gait very much younger than
his face, which seemed prematurely lined as with worry; his brow was
bald, and projected from the straight, dark hair behind it. He was
visibly paler than when he left the lunch table.
“I am sorry to say, Miss Vane,” he said, “that I am the bearer of bad
news to poor Martin, the woodman here. His daughter died half an hour
ago.”
“Oh,” cried Barbara warmly, “I am SO sorry!”
“So am I,” said the doctor, and passed on rather abruptly; he ran down
the stone steps between the stone urns; and they saw him in talk with
the woodcutter. They could not see the woodcutter’s face. He stood with
his back to them, but they saw something that seemed more moving than
any change of countenance. The man’s hand holding the ax rose high above
his head, and for a flash it seemed as if he would have cut down the
doctor. But in fact he was not looking at the doctor. His face was set
toward the cliff, where, sheer out of the dwarf forest, rose, gigantic
and gilded by the sun, the trees of pride.
The strong brown hand made a movement and was empty. The ax went
circling swiftly through the air, its head showing like a silver
crescent against the gray twilight of the trees. It did not reach its
tall objective, but fell among the undergrowth, shaking up a flying
litter of birds. But in the poet’s memory, full of primal things,
something seemed to say that he had seen the birds of some pagan augury,
the ax of some pagan sacrifice.
A moment after the man made a heavy movement forward, as if to recover
his tool; but the doctor put a hand on his arm.
“Never mind that now,” they heard him say sadly and kindly. “The Squire
will excuse you any more work, I know.”
Public-domain text, read in full here on John Shaqi.
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