The Trees of PrideChesterton, G. K. (Gilbert Keith)
General
The Trees of Pride
Chesterton, G. K. (Gilbert Keith)
Murder -- Fiction; Mystery fiction
“As to the water, we do know the explanation,” said the detective. “I
didn’t tumble to it at first myself, being a Cockney; but a little talk
with Jake and the other fisherman about the old smuggling days put me
straight about that. But I admit the dried remains still stump us all.
All the same--”
A shadow fell across the table, and his talk was sharply cut short. Ashe
was standing under the painted sign, buttoned up grimly in black, and
with the face of the hanging judge, of which the poet had spoken, plain
this time in the broad sunlight. Behind him stood two big men in plain
clothes, very still; but Paynter knew instantly who they were.
“We must move at once,” said the lawyer. “Dr. Burton Brown is leaving
the village.”
The tall detective sprang to his feet, and Paynter instinctively
imitated him.
“He has gone up to the Trehernes possibly to say good-by,” went on Ashe
rapidly. “I’m sorry, but we must arrest him in the garden there,
if necessary. I’ve kept the lady out of the way, I think. But
you”--addressing the factitious landscape painter--“must go up at once
and rig up that easel of yours near the table and be ready. We will
follow quietly, and come up behind the tree. We must be careful, for
it’s clear he’s got wind of us, or he wouldn’t be doing a bolt.”
“I don’t like this job,” remarked Paynter, as they mounted toward the
park and garden, the detective darting on ahead.
“Do you suppose I do?” asked Ashe; and, indeed, his strong, heavy face
looked so lined and old that the red hair seemed unnatural, like a red
wig. “I’ve known him longer than you, though perhaps I’ve suspected him
longer as well.”
When they topped the slope of the garden the detective had already
erected his easel, though a strong breeze blowing toward the sea rattled
and flapped his apparatus and blew about his fair (and false) beard
in the wind. Little clouds curled like feathers, were scudding seaward
across the many-colored landscape, which the American art critic had
once surveyed on a happier morning; but it is doubtful if the landscape
painter paid much attention to it. Treherne was dimly discernible in the
doorway of what was now his house; he would come no nearer, for he
hated such a public duty more bitterly than the rest. The others posted
themselves a little way behind the tree. Between the lines of these
masked batteries the black figure of the doctor could be seen coming
across the green lawn, traveling straight, as a bullet, as he had done
when he brought the bad news to the woodcutter. To-day he was smiling,
under the dark mustache that was cut short of the upper lip, though
they fancied him a little pale, and he seemed to pause a moment and peer
through his spectacles at the artist.
The artist turned from his easel with a natural movement, and then in a
flash had captured the doctor by the coat collar.
Public-domain text, read in full here on John Shaqi.
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