Produced by David Widger
THE TRESPASSER
By Gilbert Parker
CONTENTS:
Volume 1
I. ONE IN SEARCH OF A KINGDOM
II. IN WHICH HE CLAIMS HIS OWN
III. HE TELLS THE STORY OF HIS LIFE
IV. AN HOUR WITH HIS FATHER’S PAST
V. WHEREIN HE FINDS HIS ENEMY
Volume 2.
VI. WHICH TELLS OF STRANGE ENCOUNTERS
VII. WHEREIN THE SEAL OF HIS HERITAGE IS SET
VIII. HE ANSWERS AN AWKWARD QUESTION
IX. HE FINDS NEW SPONSORS
X. HE COMES TO “THE WAKING OF THE FIRE”
XI. HE MAKES A GALLANT CONQUEST
Volume 3.
XII. HE STANDS BETWEEN TWO WORLDS
XIII. HE JOURNEYS AFAR
XIV. IN WHICH THE PAST IS REPEATED
XV. WHEREIN IS SEEN THE OLD ADAM AND THE GARDEN
XVI. WHEREIN LOVE SNOWS NO LAW SAVE THE MAN’S
XVII. THE MAN AND THE WOMAN FACE THE INTOLERABLE
XVIII. “RETURN, O SHULAMITE!”
INTRODUCTION
While I was studying the life of French Canada in the winter of 1892,
in the city of Quebec or in secluded parishes, there was forwarded to me
from my London home a letter from Mr. Arrowsmith, the publisher, asking
me to write a novel of fifty thousand or sixty thousand words for what
was called his Annual. In this Annual had appeared Hugh Conway’s ‘Called
Back’ and Anthony Hope’s ‘Prisoner of Zenda’, among other celebrated
works of fiction. I cabled my acceptance of the excellent offer made
me, and the summer of 1893 found me at Audierne, in Brittany, with some
artist friends--more than one of whom has since come to eminence--living
what was really an out-door literary life; for the greater part of ‘The
Trespasser’ was written in a high-walled garden on a gentle hill, and
the remainder in a little tower-like structure of the villa where I
lodged, which was all windows. The latter I only used when it rained,
and the garden was my workshop. There were peaches and figs on the
walls, pleasant shrubs surrounded me, and the place was ideally quiet
and serene. Coffee or tea and toast was served me at 6.30 o’clock A.M.,
my pad was on my knee at 8, and then there was practically uninterrupted
work till 12, when ‘dejeuner a la fourchette’, with its fresh sardines,
its omelettes, and its roast chicken, was welcome. The afternoon was
spent on the sea-shore, which is very beautiful at Audierne, and there
I watched my friends painting sea-scapes. In the late afternoon came
letter-writing and reading, and after a little and simple dinner at 6.30
came bed at 9.45 or thereabouts. In such conditions for many weeks I
worked on The Trespasser; and I think the book has an outdoor spirit
which such a life would inspire.
Public-domain text, read in full here on John Shaqi.
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