door, there was a cry of "He's standing up now!" "Are you leaving
already?" asked the painter, who had also stood up. "It must be the air
that's driving you out. I'm very sorry about that. There's still a lot I
need to tell you. I had to put everything very briefly but I hope at
least it was all clear." "Oh yes," said K., whose head was aching from
the effort of listening. Despite this affirmation the painter summed it
all up once more, as if he wanted to give K. something to console him on
his way home. "Both have in common that they prevent the defendant being
convicted," he said. "But they also prevent his being properly
acquitted," said K. quietly, as if ashamed to acknowledge it. "You've
got it, in essence," said the painter quickly. K. placed his hand on his
winter overcoat but could not bring himself to put it on. Most of all he
would have liked to pack everything together and run out to the fresh
air. Not even the girls could induce him to put his coat on, even though
they were already loudly telling each other that he was doing so. The
painter still had to interpret K.'s mood in some way, so he said, "I
expect you've deliberately avoided deciding between my suggestions yet.
That's good. I would even have advised against making a decision
straight away. There's no more than a hair's breadth of difference
between the advantages and disadvantages. Everything has to be carefully
weighed up. But the most important thing is you shouldn't lose too much
time." "I'll come back here again soon," said K., who had suddenly
decided to put his frock coat on, threw his overcoat over his shoulder
and hurried over to the door behind which the girls now began to scream.
K. thought he could even see the screaming girls through the door.
"Well, you'll have to keep your word," said the painter, who had not
followed him, "otherwise I'll come to the bank to ask about it myself."
"Will you open this door for me," said K. pulling at the handle which,
as he noticed from the resistance, was being held tightly by the girls
on the other side. "Do you want to be bothered by the girls?" asked the
painter. "It's better if you use the other way out," he said, pointing
to the door behind the bed. K. agreed to this and jumped back to the
bed. But instead of opening that door the painter crawled under the bed
and from underneath it asked K., "Just a moment more, would you not like
to see a picture I could sell to you?" K. did not want to be impolite,
the painter really had taken his side and promised to help him more in
the future, and because of K.'s forgetfulness there had been no mention
of any payment for the painter's help, so K. could not turn him down now
and allowed him to show him the picture, even though he was quivering
with impatience to get out of the studio. From under the bed, the
painter withdrew a pile of unframed paintings. They were so covered in
dust that when the painter tried to blow it off the one on top the dust
Public-domain text, read in full here on John Shaqi.
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