Mystery fiction; Trials (Murder) -- Fiction; United States -- Fiction
Mr. Delehanty announced: "The jury will rise." In Mr. Delehanty's pocket
a gleaming triangle of handkerchief shone, still perfect, spotless at
the weary end of the day. And the jury was standing.
Graceless in the group and clumsy, they mutely apologized to each other
for their elbows, raised their hands for the burbling of Mr. Delehanty
of the perfect handkerchief. They swore. Too much finality. A true
verdict render?--but what is truth? No, too much. Behind the half-comic
front, too vast a thing for the Hoags, Lagovskis, Kleinmans.
But, Edith thought, that's how it's done. And we persuade ourselves that
what we wish to call truth may emerge from it. We accept the ludicrous
fancy that you multiply wisdom when you multiply one by twelve.
Mr. Delehanty laid down the Bible. Flushed, important, the jury took
their seats. The prosecutor stood. Edith's stomach twisted. She bent
forward, covering her face. Too much.
She thought: But I _know_ Callista!
Frail, damaged, miraculous body; wild, difficult, exasperating, wholly
irreplaceable brain that understood, needed, desired so much--everything
that was Callista could be and might be charred to rubbish, to satisfy
the mythology of a still vengeful and superstitious race. Surely not
even guilty; but if she were--
Edith knew then that the same emotional storm would have struck her if
she had believed Callista Blake guilty of this and a thousand other
crimes. A storm including personal shame and horror at taking part, if
only by silent presence, in an act of barbarism.
_What are we doing here?_
III
Cecil Warner turned toward the cold gleam of the courtroom window; an
eastern window, the winter sunshine long gone. In the morning he had
watched a glint of the sun on Callista's black hair, and on the polished
bleakness of the table where her arm rested. The daily journey and
decline of the sun affected him more deeply now than in past years, left
him irrationally disappointed on the gray days, less willing to accept
the approach and arrival of night. On such days, or at the tired
conclusions of winter afternoons, the age of his body oppressed him--as
now, when he turned his heavy head and felt a wobbling sag of cheeks,
unwilling droop of eyelids, slight but irritating deafness, uncertainty
of his powers. And in all activities between foggy waking and not quite
desired sleep, a fading, a knowledge of relinquishment. If his eyes
sought and cherished (as now) the delicate swell of Callista's breast,
his mind said: _My hand will not follow that curve, not ever._ Or it
said: _Even the inner and almost hidden love that keeps the spirit alive
and sometimes strong and sometimes angry--even that is only for a little
while._
Public-domain text, read in full here on John Shaqi.
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