Covington went out into the night again, and, though the music from a
dozen other cafés called him to come in and forget, he continued down
the hill to the boulevard, deaf to the gay entreaties of the whole
city. It was clear that he was out of tune with Paris.
As he came into the Place de l'Opera he ran into the crowd pouring from
the big gray opera house, an eager, voluble crowd that jostled him
about as if he were an intruder. They had been warmed by fine music
and stirred by the great passions of this mimic world, so that the
women clung more tightly to the arms of their escorts.
Covington, who had fallen back a little to watch them pass, felt
strangely isolated. They hurried on without seeing him, as if he were
merely some spectral bystander. Yet the significant fact was not that
a thousand strangers should pass him without being aware of his
presence, but that he himself should notice their indifference. It was
not like him.
Ordinarily it was exactly what he would desire. But to-night he was in
an unusual mood--a mood that was the culmination of a restlessness
covering an entire month. But what the deuce was the name and cause of
it? He could no longer attribute it to the fact that he had gone stale
physically, because he had now had a rest of several weeks. It was not
that he was bored; those who are bored never stop to ask themselves why
they are bored or they would not be bored. It was not that he was
homesick, because, strictly speaking, he had no home. A home seems to
involve the female element and some degree of permanence. This unrest
was something new--something, apparently, that had to do vaguely with
the fact that he was thirty-two. If Edhart--
Impatiently he started again for his hotel. This confoundedly
good-natured, self-satisfied crowd moving in couples irritated him. At
that moment a tall, slender girl turned, hesitated, then started toward
him. He did not recognize her at first, but the mere fact that she
came toward him--that any one came toward him--quickened his pulse. It
brought him back instantly from the shadowy realm of specters to the
good old solid earth. It was he, Covington, who was standing there.
Then she raised her eyes--dark eyes deep as trout pools; steady,
confident, but rather sad eyes. They appeared to be puzzled by the
eagerness with which he stepped forward and grasped her hand.
"Marjory!" he exclaimed. "I did n't know you were in Paris!"
She smiled--a smile that extended no farther than the corners of her
perfect mouth.
"That's to excuse yourself for not looking me up, Monte?"
She had a full, clear voice. It was good to hear a voice that he could
recognize.
"No," he answered frankly. "That's honest. I thought you were
somewhere in Brittany. But are you bound anywhere in particular?"
"Only home."
"Still living on the Boulevard Saint-Germain?"
She nodded.
"Number forty-three?"
He was glad he was able to remember that number.
"Number sixty-four," she corrected.
Public-domain text, read in full here on John Shaqi.
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