A picture rose before his eyes. It had happened in a far western land--a
land that now remained in his memory as a pool of gold beneath a
turquoise sky. He was lying there in the wild oats, upon his back, and
above him in the sky a hawk circled free. He watched it long thus,
relaxed in a sort of droning somnolence; then suddenly, to a particularly
fine spiral of the bird in the air, something like a convulsion had shot
through his body, and he had found himself erect, head back and chest
forward, his arms flapping----
"'Twas the day before I ran away with the circus," he soliloquized in the
midst of the throng milling up the Elevated station stairs. "And later,
when I had come back from the circus, I took that long bum on
brake-beams. And when I had come back from that, a little later I went
off in the forecastle of the 'Tropic Bird' to Tahiti. And each time that
flapping business came first. Every time I've done something wild and
foolish, I've flapped first like this. First I'd flap, then I'd feel like
doing something, I wouldn't know what, then I'd do it--and it would be
something foolish----"
The train slid up to the platform; he boarded it and by some miracle
found on the bench behind the door of the last car a narrow space in
which he squeezed himself.
"I'll have to stop it," he said decisively.
He drew from his breast pocket a note-book and a pencil. Opening the book
out across his knees, he bent over it and began to draw. He worked with
concentration, but seemingly with little result, for he drew only
detached lines. There were spirals, circles, ovals, parabolas; lines
that curved upward, broke, and curved again downward, like gothic arches;
lines that curved in gentle languor; lines that breathed like the
undulations of a peaceful sea; and then just zipping, swift, straight
lines that shot up to the upper end of the paper and seemed to continue
invisibly toward an altitudinous nowhere. This is all he drew, and yet as
he worked there was in his face the set of stubborn purpose, and in his
eyes the glow of aspiration. He tried to make each line beautiful and
firm and swift and pure. When he succeeded, he felt within him
the bubbling of a sweet contentment. This would be followed by
dissatisfaction, renewed yearning--and he would begin again.
"By Jove!" he muttered in sudden consternation, straightening away from
the book.
And then, "They began at the same time."
And a moment later, "And they are the same."
Public-domain text, read in full here on John Shaqi.
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