An oblong house, of the type known as "wattle and daub," with
high-pitched thatch roof, partitioned within so as to form three rooms--
a house rough and ready in construction and aspect, but far more
comfortable than appearances seemed to warrant. Half a dozen circular
huts with conical roofs, clustered around, serving the purpose of
kitchen and storehouse and quarters for native servants; beyond these,
again, a smaller oblong structure, constituting a stable, the whole
walled round by a stockade of mopani poles;--and there you have a far
more imposing establishment than that usually affected by the pioneer
settler. Around, the country is undulating and open, save for a not
very thick growth of mimosa; but on one hand a series of great granite
kopjes rise abruptly from the plain, the gigantic boulders piled one
upon the other in the fantastic and arbitrary fashion which forms such a
characteristic feature in the landscape of a large portion of Rhodesia.
"Well?"
The woman was the first to break the silence--equally a characteristic
feature, a cynic might declare.
"Well?"
The answer was staccato, and not a little pettish. The first speaker
smiled softly to herself. She revelled in her power, and was positively
enjoying the cat and mouse game, though it might have been thought that
long custom would have rendered even that insidious pastime stale and
insipid.
"So sorry you have to go," she murmured sweetly. "But it's getting
late, and you'll hardly reach home before dark."
The start--the blank look which overspread his features--all this, too,
she thoroughly enjoyed.
"Have to go," he echoed. "Oh, well--yes, of course, if you want to get
rid of me--"
"I generally do want to get rid of people when they are sulky, and
disagreeable, and ill-tempered," was the tranquil reply. But the
expression of her eyes, raised full to his, was such as to take all the
sting out of her words.
Not quite all, however, for his mind was in that parlous state best
defined as "worked up"--and the working-up process had been one, not of
hours or of days, but of weeks.
"Well, then, good-bye." Then, pausing: "Why do you torment me like
this, Hermia, when you know--"
"What's that? I didn't say you might call me by my name."
"Oh, I beg your pardon, Mrs Blachland," was the reply, bitterly,
resentfully emphatic. Then, thawing suddenly, "You didn't mind it the
other day, and--well, you know what you are to me and always will be."
"Until somebody else is more so," came the smiling interruption.
"Hark"--raising a hand suddenly, and listening intently. "Yes, it is.
Will you be a very dear boy, Justin, and do something for me?"
"You know I would do anything for you--anything in the wide world."
"Oh, this is nothing very great. There are guinea-fowl over there in
the kopje--I can hear them. I only want you to take Hilary's gun, and
go and shoot me a few. Will you? The supplies are running low."
Public-domain text, read in full here on John Shaqi.
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