The Triumph of JillYoung, F. E. Mills (Florence Ethel Mills)
Philosophy
The Triumph of Jill
Young, F. E. Mills (Florence Ethel Mills)
Art teachers -- Fiction; Children of the rich -- Fiction; Love stories; Young women -- Fiction
"Of course. And, after all, a few inches on to one's nose hardly
signifies, does it? not to mention a jaw that no woman ever possessed
outside a show. Your drawing puts me in mind of somebody or other's
criticism on Pope's translation of Homer--`a very pretty story, Mr
Pope, but it is not Homer.' Yours is a very wonderful creation, Mr St.
John, but it in no wise resembles the copy."
St. John glared.
"I thought you said you admired character?" he exclaimed.
"So I do; and there is a great deal of character in the original, I
consider; but if you wish for a candid opinion, I think your head is
simply a masculine monstrosity. But, come, you need not look so angry;
we do not win our spurs at the first charge, you know. Must I praise
your failures as well as your successes, eh?"
"You don't think me quite such a conceited fool, I hope," he said
somewhat deprecatingly, though he still looked a little dissatisfied and
aggrieved. "I only meant that it wasn't altogether bad for a first
attempt."
But it was not Jill's intention to flatter.
"It isn't altogether _good_ for a first attempt," she said.
"You are not very encouraging," he remarked a trifle reproachfully.
"Had you been my pupil and I had said so much--"
"I should have thought you very disagreeable," she interrupted,
laughing.
He laughed also; for despite her contrariety her mirth was most
infectious, and put him more at ease with her. It was the first glimpse
of her natural self that she had vouchsafed him, and he liked it
infinitely better than the half-aggressive dignity she assumed in her
capacity of teacher.
"Do you think," he ventured again after a pause, and with a decided
increase of diffidence, "that I am likely to be any good at it?"
Jill took up a pencil and penknife with the intent to sharpen the former
but laid them down again suddenly and looked him squarely in the face.
"If you mean have you any talent for art?" she said coolly, "I am afraid
I cannot give you much encouragement. You have a liking for it, and, I
should say, possess a certain amount of perseverance; therefore in time
you ought to turn out some fairly decent work, but you have not talent."
He looked displeased, and fell to contemplating his work anew from the
distinctly irritating standpoint of its not being quite such a success
as he had deemed it.
"You are very candid," he remarked, not altogether gratefully; "I
suppose I should feel obliged to you. But, to be frank in my turn, you
would do well not to be quite so candid with your pupils; you will never
get on if you are."
She laughed, and shrugged her shoulders with a careless, half-bitter
gesture.
"Your advice is rather superfluous," she answered; "I am not likely to
get any pupils."
"Why not?" he queried. "You have one."
Public-domain text, read in full here on John Shaqi.
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