The Triumph of JillYoung, F. E. Mills (Florence Ethel Mills)
Philosophy
The Triumph of Jill
Young, F. E. Mills (Florence Ethel Mills)
Art teachers -- Fiction; Children of the rich -- Fiction; Love stories; Young women -- Fiction
"You mustn't treat me altogether as a stranger," he said. "Because we
are teacher and pupil it doesn't follow that we need be enemies also.
Good morning, Miss Erskine; believe me, I am sincerely sorry for the
injury that you have received."
Jill smiled and a gleam of mischief shone in her eyes.
"I seem to have received so many this morning that I hardly know which
you mean," she said. "Do you allude to the hurt wrist or the very
ungenerous manner in which you greeted me on my return?"
He coloured a little. Then he laughed.
"I was rather wild," he admitted. "Saint John with my face, twentieth
century get-up, and a nimbus, was a bit too much."
"Indeed! I thought it rather clever," Jill modestly remarked.
"Clever, yes; so it was, no doubt. If it hadn't been so clever, it
wouldn't have been so annoying."
"It has gone!" she cried, glancing at the table, though she knew already
that it was not there. "You are not taking it with you?"
"Yes," he answered coolly, "I am."
"But, Mr St. John," she remonstrated, "I think that I have some claim
to my own work."
"But, Miss Erskine," he retorted, "I think that I have some claim to my
own portrait."
"Well, never mind," said Jill. "I can sketch it again if I want to."
"Yes," he replied, "but I don't think you will."
"Perhaps not. I am not fond of wasting my time; it is too precious."
St. John laughed and took up his hat.
"Good-bye again," he said. "I hope by the next time I come that the
hand will be quite well."
"Thank you," she answered. "I hope it will."
He had not been gone half an hour when a most unusual thing occurred--
unusual, that is, for number 144. It was, indeed, an unprecedented
event within the memory of the present owners of the establishment, and
quite a shock to the slovenly Isobel who opened the door to the very
peremptory knock. It was, in short, a florist's messenger with a large
and magnificent basket of hot-house flowers for Miss Erskine. Not being
the locality for such dainty gifts, it was not surprising that, to quote
Isobel verbatim, it struck her all of a heap. She carried the basket up
to the studio, another unusual event; on the very rare occasions when a
parcel arrived for Miss Erskine it was left on the dirty hall table
until she descended in quest of it. But Isobel's femininity detected
sentiment amid the fragrant scent of the delicate blossoms, and the
vulgar side of her nature was all on the alert. No doubt she expected
Miss Erskine to be equally excited and curious with herself, but Miss
Erskine was not in the habit of gratifying other people at her own
expense. She was standing in front of her easel roughly sketching with
a piece of charcoal when Isobel bounced into the room, and only paused
in her occupation to give a very casual glance at the flowers, and to
evince some surprise at sight of them, and still more at having them
brought up.
Public-domain text, read in full here on John Shaqi.
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