The Triumph of JillYoung, F. E. Mills (Florence Ethel Mills)
Philosophy
The Triumph of Jill
Young, F. E. Mills (Florence Ethel Mills)
Art teachers -- Fiction; Children of the rich -- Fiction; Love stories; Young women -- Fiction
Apparently she did not consider that the human form reckoned in this
category, and certainly her own, thanks to the aid of the costumiere,
had deviated somewhat from the natural laws of contour; nevertheless
nature is at the root of our being and no matter how we attempt to
disguise and ignore the fact she will not be denied. It was on the tip
of Jill's tongue to remark that flowers alone did not constitute nature
but she restrained herself, and endeavoured to check her increasing
irritability.
"You are quite right not to go in for the figure," she said; "feeling as
you do about it nature becomes coarse, and artificiality--or shall we
say the conventional customs of circumstances?--preferable. Will you
come into the studio?"
It just flashed through her mind to wonder what this young lady whose
modesty was only to be equalled by Isobel's would say to the models when
she saw them, and it must be confessed that the thought of them caused
her a certain malicious satisfaction, but when she held aside the
curtain for Miss Bolton to enter she perceived to her unspeakable
astonishment that all the models had been carefully draped with the dust
covers in which they were kept encased when not in use, and which she
had herself taken off that morning, and had folded and placed on the
shelf. She glanced towards St. John in wrathful indignation, but St.
John was busy measuring the length of the big toe in the copy and
comparing it with his own drawing, which, taking into consideration the
fact that he was not supposed to be making an enlargement, was not
altogether satisfactory.
"May I enquire," asked Jill with relentless irony, "the meaning of all
these preparations? Was it fear of the models taking cold that induced
you to cover them so carefully or a desire to study drapery, Mr St.
John?"
She paused expectantly, but St. John made no sign of having heard beyond
an alarming increase of colour in the back of his neck, a mute appeal to
her generosity, which she was not, however, in the mood to heed. Miss
Bolton watched her in bewildered fascination, astonished at her
displeasure and unable to understand the reason thereof. So entirely
unprepared was she for what followed that it was probably a greater
shock than if she had walked straight in amongst the models, it could
not certainly have embarrassed her more. Jill, during the pause, had
approached one of the figures, and now catching impatiently at the
covering drew it off to the scandalised consternation of the new pupil,
who, without waiting for more, burst into a very unexpected flood of
tears, and fled precipitately from the room. Jill stared after her
open-mouthed, and for a moment there was dead silence. Then St. John
pushed back his chair and rose noisily to his feet.
"Con--excuse me," he corrected himself, "but I think that I had better
go and see after my cousin."
Public-domain text, read in full here on John Shaqi.
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