The Triumph of JillYoung, F. E. Mills (Florence Ethel Mills)
Philosophy
The Triumph of Jill
Young, F. E. Mills (Florence Ethel Mills)
Art teachers -- Fiction; Children of the rich -- Fiction; Love stories; Young women -- Fiction
The next morning by the same post that St. John got his letter, Jill
received her doctor's account which was considerably heavier than she
had expected. It is an expensive luxury being ill. She sighed as she
looked at the bill, and wondered where the money was coming from. She
had not got it just then that was certain; the settlement must be
deferred for a while. How hard it was to want to pay and not be able to
do so! Later in the morning as she sat huddled up near the window
poring over one of the books St. John had sent--for she could not work
with the thought of the morrow before her; her sense of the fitness of
things had bidden her take a last holiday and give herself up thoroughly
to the enjoyment of the present--her attention was diverted from the
novel by the sound of a footstep on the stairs, a heavy, uncertain,
unmistakably masculine step which reminded her with a strange thrill of
St. John's first visit when he had stumbled up those stairs in the
darkness eight months ago. She waited where she was until the visitor
knocked, a loud, imperative, double knock on the door with his stick,
then she rose, laid aside her book, and slowly crossed the room.
Outside on the narrow landing stood an elderly man, tall and gaunt, with
shoulders slightly bent, and iron grey hair and beard. He eyed Jill
uncertainly, very much as St. John had done, and, also like St. John,
concluded that she must be a pupil; she looked so very childish, much
more like a child, indeed, than had the lanky, short-frocked,
girl-student who had studied there so brief a time.
"I wish to speak with Miss Erskine," he said. And Jill, in vague
foreboding, and with a dull repetition of her information on that former
occasion, answered quietly,--
"I am Miss Erskine."
"Good God!" exclaimed her visitor, and without waiting for an invitation
he strode past her into the studio. Jill followed him wondering, and
standing opposite to him, watched him closely, waiting for more.
"My name is St. John," he said--the bomb had fallen. "My son--h'm!--
studies art here."
He looked round superciliously as though he wondered how anyone could
study anything in so mean a place; no doubt he considered that his son's
explanation had been merely a plausible excuse.
"Yes," Jill answered, and that was all.
Public-domain text, read in full here on John Shaqi.
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