The Triumph of JillYoung, F. E. Mills (Florence Ethel Mills)
Philosophy
The Triumph of Jill
Young, F. E. Mills (Florence Ethel Mills)
Art teachers -- Fiction; Children of the rich -- Fiction; Love stories; Young women -- Fiction
He took it from her, tore it savagely into pieces, and threw them on the
floor.
"So be it," he answered wrathfully. "You must indeed be succeeding as
you deserve, to reject what you have lawfully earned."
Jill went white as she generally did when in a rage, and favoured him
with a glance that he was not likely to forget in a hurry.
"I have not earned it," she responded, "neither am I succeeding; two
facts which you are thoroughly well acquainted with. Does _that_ look
like success?" And she drew from the cardboard box the sachets she had
brought home again from the shop that morning, and threw them on the
table in front of him. "That's the kind of work that I have come to do,
and I daresay I shall sink lower yet;--Xmas cards no doubt. Oh! yes, I
have sunk pretty low. The man who gave me that order superintends the
work, and corrects errors of detail. He does not like female figures in
atmospheric drapery like those. He said the public wouldn't buy them
that way; a nude figure on a nightdress bag--he didn't use the word
nude, by the way, but plain vulgar English--was too suggestive, and
requested me to take them home and paint in a garment--`Just a small
one'--as though he were alluding to a vest. Ugh! it makes me sick--it
makes me _blush_. He wears his hair oiled, too," she continued
retrospectively, forgetting for the minute her resentment against St.
John in disgust at her latest patron, "and--further degradation--makes
love to me which for the sake of the miserable commission I dare not
resent."
What followed was unpardonable on St. John's part but for the life of
him he could not resist retaliating for the thrusts that she had given
him.
"Perhaps the last is a hallucination," he suggested ungenerously; "You
have a tendency to imagine that sort of thing you know."
She eyed him for a moment in stony displeasure, then pointed imperiously
to the door.
"You may consider that remark worthy of a gentleman, Mr St. John," she
said, "I don't. You will oblige me by leaving the studio at once; I--I
shall be rude to you if you don't."
Her voice broke, and she turned to her work again abruptly, painting
with feverish haste as thought she had not a moment to lose. In two
strides St. John was behind her, and stooping he put his arms about her
with a swift movement for which she was entirely unprepared, and which
imprisoned her so firmly that she could not escape.
"Rude to me if you like," he cried; "but not unkind, Jill--never any
more."
Public-domain text, read in full here on John Shaqi.
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