Mr. Lavington continued to smile on _his_ guest, and the latter, as
if under the faint coercion of the smile, turned from the room and
ran upstairs. Having taken the seal from his writing-case he came down
again, and once more opened the door of the study. No one was speaking
when he entered--they were evidently awaiting his return with the mute
impatience of hunger, and he put the seal in Rainer’s reach, and stood
watching while Mr. Grisben struck a match and held it to one of the
candles flanking the inkstand. As the wax descended on the paper Faxon
remarked again the strange emaciation, the premature physical weariness,
of the hand that held it: he wondered if Mr. Lavington had ever noticed
his nephew’s hand, and if it were not poignantly visible to him now.
With this thought in his mind, Faxon raised his eyes to look at
Mr. Lavington. The great man’s gaze rested on Frank Rainer with an
expression of untroubled benevolence; and at the same instant Faxon’s
attention was attracted by the presence in the room of another person,
who must have joined the group while he was upstairs searching for the
seal. The new-comer was a man of about Mr. Lavington’s age and figure,
who stood just behind his chair, and who, at the moment when Faxon
first saw him, was gazing at young Rainer with an equal intensity of
attention. The likeness between the two men--perhaps increased by the
fact that the hooded lamps on the table left the figure behind the
chair in shadow--struck Faxon the more because of the contrast in their
expression. John Lavington, during his nephew’s clumsy attempt to
drop the wax and apply the seal, continued to fasten on him a look
of half-amused affection; while the man behind the chair, so oddly
reduplicating the lines of his features and figure, turned on the boy a
face of pale hostility.
The impression was so startling that Faxon forgot what was going on
about him. He was just dimly aware of young Rainer’s exclaiming; “Your
turn, Mr. Grisben!” of Mr. Grisben’s protesting: “No--no; Mr. Faxon
first,” and of the pen’s being thereupon transferred to his own hand.
He received it with a deadly sense of being unable to move, or even to
understand what was expected of him, till he became conscious of Mr.
Grisben’s paternally pointing out the precise spot on which he was to
leave his autograph. The effort to fix his attention and steady his hand
prolonged the process of signing, and when he stood up--a strange weight
of fatigue on all his limbs--the figure behind Mr. Lavington’s chair was
gone.
Public-domain text, read in full here on John Shaqi.
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