Christian art and symbolism; Hunt, William Holman, 1827-1910. Triumph of the Innocents
[Illustration]
The
Triumph
Of
The
Innocents
LONDON
1885
[Illustration]
THE TRIUMPH OF THE INNOCENTS
EPITOME
The flight into Egypt I have assumed to have occurred about sixteen
months after the birth of Jesus. Guided by Christian tradition, and
holding the birth of our Lord to have taken place in December, it
follows that the period which I have assigned to the Flight into Egypt
is the second April in His life.
During the spring-time, rich in flowers and first-fruits, the HOLY
TRAVELLERS are represented as passing across the Philistine plain on
the road to Gaza at a distance of about thirty miles from their point
of departure. The night is far spent. While the declining moon sheds
its last rays on the natural objects in the picture, unearthly light
reveals the embodied spirits of the martyred Innocents advancing in
procession.
The Virgin is seated on a she-ass of the breed now known as the Mecca
race, and the foal follows its mother, as is seen to this day in the
East. Signal fires――still lit in Syria in time of trouble――are burning
on the slope looking down from the tableland. St. Joseph is watching
these fires intent on discovering any signs that may present themselves
of a movement of soldiery upon the road. Of the trees that enrich
the landscape, the nearest ones shelter a water-wheel used for the
irrigation of the land. The more remote group clusters round a village,
with its few huts visible by the lights that burn within. Having left
the colder climate of the high country, then thickly populated and
well cultivated, the fugitives have descended into the rich and more
balmy atmosphere of the plain. As they advance nearer and nearer to a
place of safety they feel the blessed relief of a sense of peace after
disturbance and terror.
Public-domain text, read in full here on John Shaqi.
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