The car swung a corner and instantly thereafter there came a mighty
groaning of brakes as it was finally stopped in the midst of what had
been an orderly procession of small negro children. The startling arrival
of the big machine had scattered them, with shrill cries and screams,
in every direction.
Virginia was alarmed at the sudden halt and at the frightened outcries
of the youngsters. She leaped out. On the curb an excited colored woman
was holding a weeping black boy by the hand. He was very small and,
because of a deformed leg, used a crutch. Between efforts to reassemble
her scattered charges, she endeavored to calm and comfort him.
Hurrying to the woman, Virginia cried, "I'm so sorry."
"Much good sorry gwine do after you kill somebody," shouted the woman,
much angered by the occurrence. "Ain' you got no bettah sense 'en to
run down a lot o' chillun?"
"It would have been terrible if we had hurt one of them. I never would
have forgiven myself. We couldn't see them until we turned the corner."
In her excitement she sought friendly support. "Could we, Ike?"
To Ike, it was a duty from which much pleasure could be derived to
take part in any controversy. Likewise, one acquires merit, when one
is a chauffeur, by strongly maintaining the contention of one's
mistress--she may reciprocate in a difficult hour. Ike turned an
unfriendly countenance upon the woman, and asked for information, "How
ah gwine see 'roun' er corner? Does you 'spect dat ma eyes is
twisted?"
"Go long, man. Mine you' own business."
Not thus summarily was Ike to be dismissed. "Dese yere chillun ain' no
call to be in de street. Howcum 'em der? Ain' it yo'all's business
to keep 'em outen de way?" A uniformity in costume struck him. "Ain'
dey orphant chillun runnin' loose?"
"Orphans! The poor things!" Virginia cried.
"Wot ef dey is orphants?" the woman protested with great belligerence.
"Den," Ike behaved as if he, a public spirited citizen, had discovered
the warden of a penitentiary seeking pleasure beyond the walls with
notorious criminals, "howcum dey heah? Wharfo?"
The suspicion and force in the chauffeur's manner brought fresh tears to
orphan eyes.
Encouraged by these evidences of public attention, Ike continued his
investigation. "Ah axes you woman, why ain' dey in de 'sylum whar
dey 'long?"
The chauffeur's words had not soothed the guardian of the children. She
showed unmistakable signs of increasing wrath. Glaring fixedly at him,
she blazed, "Mine you' own business, you black po'cupine."
Although the application of the epithet was obscure, its effect was
all that could be desired. Ike suffered a species of fit. His mouth
opened and closed without sound. His wildly rolling eyes exposed wide
areas of white and then glued themselves in invenomed hatred upon the
woman. Muscles contracted and worked in his neck. Even as a panther, he
appeared about to spring upon his foe.
Public-domain text, read in full here on John Shaqi.
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