The troubadours : $b A history of Provençal life and literature in the middle agesHueffer, Francis
History
The troubadours : $b A history of Provençal life and literature in the middle ages
Hueffer, Francis
Provençal poetry -- History and criticism; Troubadours
The second cause of transformation and re-formation already inherent
in the Latin language of the second and third centuries (A.C.) is what
philologists term the analytic or dissolving principle. Synthetic or
primitive languages indicate the declension of a noun or the conjugation
of a verb by a modification of the word itself; analytical languages by
the addition of other words. Thus, _patris_ in Latin answers to our
three words _of the father_, or to the French _de le_ (contracted _du_)
_père_. The addition of the article subsequently makes the modification
of the noun itself superfluous; hence _père_ answers to the four
modifications of the Roman _pater_. But the same tendency existed in the
late-Latin speech itself, and the _de le père_ presupposes a _de illo
patre_. In an analogous manner, the _j’ai fait_ or _ho fatto_ of the
French and Italian languages is beyond doubt derived from a Latin _habeo
factum_, instead of the simpler and older _feci_.
Of the various languages of Latin growth, the Provençal was the first to
attain to an independent characteristic type of expression. The limits of
its domain have been variously defined; but it extended far beyond the
boundaries of the later Provence, even beyond those of modern France,
comprising, for instance, parts of Spain, such as Aragon, Valencia,
Catalonia, and the Balearic Islands. Its northern limit may be roughly
stated to be the line drawn from the mouth of the Gironde to that of the
Saone. The political autonomy of the south of France, which secured it
from the international and national troubles of its northern neighbour,
greatly favoured peaceful progress and enjoyment of life. Moreover,
the rich, bountiful soil, and the prosperity and natural gaiety of the
inhabitants, were conducive to the early growth of poetic feeling; and
it may be assumed that long before the time of the Troubadours, rustic
lays, accompanied by the sounds of the viola, used to enliven the harvest
homes of Provençal villages. Of this popular epoch no record now
remains, except the language itself—at once the result and embodiment
of a nation’s longing for utterance. The generic term applied to the
language of southern France seems to have been ‘Provençal,’ in allusion
no doubt to the Provincia Romana of the Cæsars. For this term we have
the weighty authority of Dante, also that of an old Provençal grammar
called ‘Donatus Provincialis.’ The Troubadours themselves, however, never
use this perhaps more scientific denomination. They generally speak of
Lengua Romana, a term which of course applies with equal propriety to
all the languages derived from the Latin. But what do poets care about
philological distinctions? Another term, _langue d’oc_, afterwards
transferred to a province of France, was undoubtedly known in the middle
ages. It is derived from the affirmative particle _oc_, i.e. ‘yes,’ and
chiefly used to distinguish Provençal from its sister-languages, the
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