The troubadours : $b A history of Provençal life and literature in the middle agesHueffer, Francis
History
The troubadours : $b A history of Provençal life and literature in the middle ages
Hueffer, Francis
Provençal poetry -- History and criticism; Troubadours
Bertran de Born is evidently quite conscious of the force of his songs,
and the use he makes of his power betrays great sagacity of political
purpose. But with him the love of war for war’s sake is so great that
sometimes every deeper design seems to vanish before this ruling passion.
His character is a psychological problem in this respect. A man who,
after a life of wildest storm and stress, passed in continual strife with
domestic and political foes, dies in peace and in the quiet possession
of his usurped dominion, must have been endowed in a more than usual
degree with calmness and deliberation. But there is no trace of this in
his songs. They breathe one and all the recklessness and animal buoyancy
of a savage chieftain who regards fighting as the only enjoyment and
true vocation of a man. One of his warlike _sirventeses_ ends with the
naïve exclamation by way of _tornada_ or _envoi_, ‘Would that the great
barons could always be inflamed against each other!’ In another he gives
vent to his insatiate pugnacity with most unqualified openness. ‘There
is peace everywhere,’ he says, ‘but I still retain a rag (_pans_) of
warfare; a sore in his eye (_pustella en son huelh_) to him who tries to
part me from it, although I may have begun the quarrel! Peace gives me no
pleasure, war is my delight. This is my law, other I have none. I don’t
regard Monday or Tuesday, or week, or month, or year: April or March
would not hinder me in doing damage to those who wrong me. Three of them
would not get the value of an old leather strap from me.’[24]
Public-domain text, read in full here on John Shaqi.
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