The troubadours : $b A history of Provençal life and literature in the middle agesHueffer, Francis
History
The troubadours : $b A history of Provençal life and literature in the middle ages
Hueffer, Francis
Provençal poetry -- History and criticism; Troubadours
There is yet one other important character in which I should wish to
introduce the lady of Provence to the gentle reader. It has already been
pointed out that to her influence the refinement of manners and the
high conception of the duties of gallantry in the early middle ages are
mainly due. But nowhere did her gentle sway exercise a more irresistible
power than in that truest domain of womanhood—love. This love was little
restrained in Provence by the legitimate bounds of marriage, but it was
not altogether lawless for that reason. There were certain rules of
conduct instinctively felt rather than definitely formulated, but which,
nevertheless, no lady or gallant cavalier could transgress with impunity.
Discretion, for instance, was a demand most strictly enforced by these
self-imposed laws of the loving community. No lady of good feeling would
have accepted the services of a knight who had failed in this respect
to a former mistress. Neither was it thought compatible with correct
principles for a lady to deprive another lady of her lover. Inquiries
into the antecedents of intended _cicisbeos_ were of frequent occurrence,
and only when a troubadour could prove his ‘being off with the old
love’ could he hope for a favourable reception of his vows. We indeed
know of one case at least where a lady, although herself desirous of the
services of a poet, effected his reconciliation with a rival beauty.
But this loyal feeling did not extend to that bugbear and scapegoat of
gallant society in Provence—the husband. No amount of verbal falsehood
or hypocrisy was thought unjustifiable in the endeavour to dupe his
well-founded suspicion. His resentment of injuries received was, on the
other hand, punished by the general interdict of polite society. Such, at
least, is the no doubt somewhat high-coloured picture drawn by Provençal
poets and romancers.
Public-domain text, read in full here on John Shaqi.
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